Milan Knizak, Ann Holyoke Lehmann, Rune Mields, Augustina Von Nagel, Jurgen Olbrich, Ingo Trauer, Emmett Williams, and Wolfgang Hainke all contributed objects to the box and signed some of their works. The book incorporates a magazine that reviewed the top ten black jazz and blues recording artists in 1956. The 24 blank embossed pages bear an imprint of a small nail or pin on the left center portion of the pages. -- Source of annotation: Marvin or Ruth Sackner.

The Wednesday Club consists of eight artists who collaborated in producing this assembling. The contents are packaged commercial items. -- Source of annotation: Marvin or Ruth Sackner.

The Wednesday Club consists of eight artists who collaborated in producing this assembling. The contents are packaged commercial items. -- Source of annotation: Marvin or Ruth Sackner.

This assembling on the theme of the garden was published in conjunction with an exhibition at the Galerie am Kreuzberg with the same artists who exhibited. -- Source of annotation: Marvin or Ruth Sackner.

The contents of the box document a performance, exhibition, and workshop held at the gallery which was done by Gunther Ruch and the Nomads. The cover is collaged with an actual rubberstamp. The braille heart-shaped print is unsigned. -- Source of annotation: Marvin or Ruth Sackner.

This provides documentation and exhibition reviews for the Fusion group who created the periodical with the same title. The periodical was co-edited by Shalom Newman who was responsible for its concept and painting, Marc Sloan for electronics and Bart Plantengo for co-editing. It is likely that the Sackner Archive has the only copy of this planned periodical. The documentation is stored in the suitcase housing the book. -- Source of annotation: Marvin or Ruth Sackner.

The contributors altered the same photograph depicted on the cover to produce a visual/verbal art piece. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

This was a correpondence art collaborative project bases upon Beckett/Johns' book Fizzles. -- Source of annotation: Marvin or Ruth Sackner.

The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.

All the contributions on this issue relate to the theme of Angels. -- Source of annotation: Marvin or Ruth Sackner.

Jurgen Olbrich did the cover collage. Edited by Axel Fabry and Peter Krabbe. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue is "Spiel" meaning "play" in English. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this issue is death. The issue is a collaboration with the international artist group M-A-I-S and served as the catalogue for an exhibition in an air-raid shelter in Berlin. The back cover was designed by Regula Zink. -- Source of annotation: Marvin or Ruth Sackner.