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Describes award given to Doris Cross for Visual Arts and mentions that her work is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Other venues for this exhibition were at the Munson-Williams-Proctor Institute in Utica and Nikon House in New York. Two photographs from Susan Barron's Another Song, held by the Sackner Archive, are depictede. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This well illustrated book provides the definitive review of Hoffmeister's works and his life.According to John Vloemans (internet)" Adolf Hoffmeister was undoubtedly one of the most pittoresque figures of the intellectual and artistic scene in Prague during the interbellum. His was a restless and unconventional spirit, that could not be classified. He was born on August 15, 1902 in Prague into a well-to-do family. Adolf Hoffmeister was described as an elegant globetrotter and art connoisseur, a gourmand,who had a special bond with the magic power of his hometown Prague. He was at once a painter, caricaturist, illustrator, stage decorator, author, playwright,translator, journalist, radio reporter, professor of art, art critic, politician,diplomat, cultural ambassador and world traveller. No wonder he cannot be classified in any of the artistic schools of his country.What he carries his whole life, was his left-intellectual faith, as so many of his generation did. In October 1920 he...

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This catalogue contains a reproduction of cover of Broodthaers' "Un Coup De Des Jamais N'Abolira Le Hasard (Image)," held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Cavellini has written an entire book about his life as a collector without utilizing any punctuation or structured sentences. -- Source of annotation: Marvin or Ruth Sackner.

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This is a review of the circumstances of Johnson's death by drowning. His work was exhibited in Feigen Contemporary and a film about him, "How to Draw a Bunny," shown at the Film Forum. -- Source of annotation: Marvin or Ruth Sackner.

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In this book, Antin mentions that he considers his "Talking" works as poems. He also adds that some of them classified as concrete poems depending upon their layout on the page. -- Source of annotation: Marvin or Ruth Sackner.

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This drawing depicts a self-portrait of Phillips on his 50th birthday. The imagery is of the cricket match. Phillips sponsored such a match at the Oval Stadium in London for his birthday but with one swing of the bat his back went out and he had to retire from the game. The poem reads, "play the shadow of fifty years. - only imagine a century - At last--welcome! - my own myself!" This drawing was exhibited at Phillips' Yale exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue consists of 50 photocopied, rubberstampings by Ruch as well as a biography and participation with others in group stampings. -- Source of annotation: Marvin or Ruth Sackner.

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This is Carl Andre's first one man show in a musem and his first catalogue. Johannes Cladders wrote the German text for the book object. All the English texts are in Andre's own handwriting and appear to be printed offset though another process might have been used. On the folder cover, Andre writes, "A man climbs a mountain because it is there. A man makes a work of art because it is not there." -- Source of annotation: Marvin or Ruth Sackner.

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BALL WEB 2014: Canadian painter's memoir based on her journals. Caruso writes with insight about the experience of making and exhibiting her paintings, drawings and prints. Among th e many artists appearing in this memoir are painters Carol Martyn, Milly Ristvedt, David Bolduc, Jim Gordaneer, Roy Kiyooka, Greg Curnoe and French painter Claude Yvel; sculptors Robert Downing and Henry Saxe; art dealers David Mirvish, Alkis Klonar idis, Carmen Lamanna, Julianne and Stephen Gadatsy, Jack Pollock, Lynne Wynick and Dave Tuck; and among poets, Nelson Ball, Victor Coleman, bpNichol, Bill Hawkins, David Rosenberg, Michael Ondaatje and David McFadden. Weed Flower Press, Coach House Press and Caruso's Seripress also appear. -- Source of annotation: Marvin or Ruth Sackner.

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BALL WEB 2014: Canadian painter's memoir based on her journals. Caruso writes with insight about the experience of making and exhibiting her paintings, drawings and prints. Among th e many artists appearing in this memoir are painters Carol Martyn, Milly Ristvedt, David Bolduc, Jim Gordaneer, Harold Klunder, Greg Curnoe and Claude Breeze; media artist Vera Frenkel; sculptors Peter Kolisnyk and Henry Saxe; art dealers Alkis Klon aridis, Julianne and Stephen Gadatsy and Jack Pollock; and among poets, Douglas Barbour, Doug Fetherling, Nelson Ball, bpNichol, Steve McCaffery, David Aylward, Mike Doyle, P.K. Page and Stephen Scobie. Caruso also writes about her literary small pr ess Seripress. -- Source of annotation: Marvin or Ruth Sackner.

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From the cover, " Jonathan Williams has had a life-long interest in underdogs, strays, mavericks. For more that fifty years he has prowled the margins of the culture, writing, listening closely, photographing. 'A Palbable Elysium' is a treasure trove of his findings: poets, musicians, artists, photographers, a few tombstones, a few follies, a few gardens." Guy Davenport has contributed an opening essay. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is a reprint of a book first published in Boston in 1838. The introduction consists of a biographical sketch of the author. The text is a series of short political polemics printed without punctuation. The author printed punctuation marks in the appendix at the end of the book for the readers to put in as they...

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According to Dieter Schwarz, this work consists of biography, checklist of exhibitions and publications, artist's statement, illustrations, and an essay by the artist. It is dedicated to the "editors of "Contemporary Artists" (London: Macmillan 1983) who published a crippled version of this material." -- Source of annotation: Marvin or Ruth Sackner.