Calligraphic markings
Found in 793 Collections and/or Records:
qbdp: [space requires filling]. No.128/Feb / Geof Huth., 2007
qbdp: The 3 States of Nothingness. No.71/Jul / Geof Huth., 2005
Huth writes that he has decided to name the image on this card and others like it as a"calliglyph." -- Source of annotation: Marvin or Ruth Sackner.
qbdp: The Enveloping Self. No.380/Aug / Geof Huth., 2010
Huth made this issue at the 2nd Avant Garde Writing symposium held at Ohio State University library which the Sackners also attended. -- Source of annotation: Marvin or Ruth Sackner.
qbdp: the essence of ess. No.126/Feb / Geof Huth., 2007
qbdp: The Face of Type. No.64/Jun / Geof Huth., 2005
qbdp: The Forrest of Whys. No.132/Mar / Geof Huth., 2007
qbdp: The Inevitable Course of Water. No.59/May / Geof Huth., 2005
qbdp: tHE(O). No.308/Jun / Geof Huth., 2009
qbdp: There Are Different Types of Doves. No.382/Aug / Geof Huth., 2010
Huth made this issue at the 2nd Avant Garde Writing symposium held at Ohio State University library which the Sackners also attended. -- Source of annotation: Marvin or Ruth Sackner.
qbdp: Three Waves through the Air. No.222/Jun / Geof Huth., 2008
The periodical in this issue is Work No.4 and it included Huth's conventional poetry. -- Source of annotation: Marvin or Ruth Sackner.
qbdp: [Untitled]. No.8/Jun / Geof Huth., 2004
qbdp: [Untitled]. No.37/Nov / Geof Huth., 2004
Huth compliments Sackner on his revised web site and indicates that he used marginalia feature to correct several entries. -- Source of annotation: Marvin or Ruth Sackner.
qbdp: [untitled]. No.147/Jul / Geof Huth ; Gorey E., 2007
qbdp: [untitled]. No.183/Nov / Geof Huth., 2007
qbdp: wes. No.122/Dec / Geof Huth., 2006
re a vow al / Verey, Charles., 1971
Also designated writers forum 'fours' number two. The book consists mainly of handwritten poems on the right sided pages and calligraphic letters and marks forming dense, abstract shapes on the left sided facing pages. -- Source of annotation: Marvin or Ruth Sackner.
re a vow al / Verey, Charles., 1971
Also designated writers forum 'fours' number two. The book consists mainly of handwritten poems on the right sided pages and calligraphic letters and marks forming dense, abstract shapes on the left sided facing pages. -- Source of annotation: Marvin or Ruth Sackner.
Re-ecritures / Broutin GP ; Curtay JP ; Devaux F ; Dupont A ; Isou I ; Lemaitre M ; Letaillieur F ; Leoncini E ; Lodge J ; Poyet F ; Richol H ; Sabatier R ; Satie A ; Canal F ; Valerie ; DeTurville S ; Sonbad ; Roehmer W ; Muller MT ; Mathelin L ; Burgaud C ; D'Arville JP., 1989
This exhibition was curated by Francoise Canal and Albert Dupont. -- Source of annotation: Marvin or Ruth Sackner.
[REACTION] / Topel, Andrew; Bennett, John M.; Leftwich, Jim., 2007
Andrew Topol described to the Sackners during a visit with his wife Crystal that the three artists collaborated on this work by sending the drawings to each other for their additions. The orange spray paint and the painted calligraphic markings are by Andrew Topol. Jim Leftwich did the sponged black markings. John M. Bennett added his colored scrawls and the collaged elements. He did not sign any of the drawings. -- Source of annotation: Marvin or Ruth Sackner.
[Recent Collages] / Fontana, Giovanni., 1999 - 2001
Fontana writes in an accompanying letter to the Sackners, "My 'Radio/Dramma' (1977) is an artist book printed by Geiger. The collages are made by me. I've written this opera in 1970 - I've a sound version of this book-score. Some sound pages are published by 'Baobab' 4. I add some visual poems and scores for exemples (sic) of my recent art-work [the current citation]. The book was printed personally by Adriano Spatola in his typographical domestic laboratory in Mulino de Bazzano." -- Source of annotation: Marvin or Ruth Sackner.