The verso is a calligraphic text explaining how the print was made, the exhibition of it and instructions for performing the piece. -- Source of annotation: Marvin or Ruth Sackner.

A print by MacLow of this work is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The original drawing and print of this work are also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the first of several visual scores created by making words from the letters of a person's name, in this case the title name. -- Source of annotation: Marvin or Ruth Sackner.

A print by Mac Low of this work is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Bernadette Walsh aka Bernadette Mayer who heads The Poetry Project in NYC. Weiner has written on each ruled page of this student style notebook a series of promises some of which can be read in a straight foward fashion, others omitting articles, verbs and nouns, and still others an incorrect tense to the verbs. These errors increase progressively over the course of this book which begins, "I promise to write readible and coherent letters. I promise to write a filthy book." Further, the sizes of the writing are also instructions for printed layout. Finally, scatteed throughout the book is the phrase Big Word, another instruction. During the period of writing this book (one of several hundred in this style), Weiner became a pyschotic recluse living in Manhattan. She emerged from this state about 1977. -- Source of annotation: Marvin or Ruth Sackner.

Originally written in 1984, this work consists of 10 pages of music score printed onto cloth. -- Source of annotation: Marvin or Ruth Sackner.