Calligraphic text
Found in 2963 Collections and/or Records:
The Great Fly Fleet / Patchen, Kenneth., 1955
The Green Chakre Arcane by Jack Hirschman, 1997
The Green Chakre Arcane by Jack Hirschman, 1997
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
[The Grisly Circus] / Welch, Chuck., 2014
Chuck Welsh aka Cracker Jack Kid has corresponded with the Sackners around the border of an original collage. The print is a replica of the collage. -- Source of annotation: Marvin or Ruth Sackner.
The Hound Arcane by Jack Hirschman, 1998
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Hound Arcane / Falk, Agneta; Hirschman, Jack A.., 1997
The Illustrated Wilfred Funk / Ferlinghetti, Lawrence., 1971
This poem is also printed without the illustrations in the periodical, Desparado, held by the Sackner Archive with annotations. -- Source of annotation: Marvin or Ruth Sackner.
The Invention of Mankind, 1976
Words are painted in capital letters in red, black and white colors over a blue-green painted background resembling a landscape. The sign has been appropriated from an electical contractor (identified as Ray White on verso). The painting was included the Philadelphia Art Alliance in 1984 as indicated by a paper label affixed to the verso. -- Source of annotation: Marvin or Ruth Sackner.
The Island (detail) , 2008
The image depicts an artist's map of London. -- Source of annotation: Marvin or Ruth Sackner.
The Island (detail 5) / Walter, Stephen., 2008
The Island (detail) / Stephen Walter., 2008
The image depicts an artist's map of London. -- Source of annotation: Marvin or Ruth Sackner.
The Language of Stone / Shepp, Alan., 1992
The works by Shepp consist of poetic images in stone sculptures. -- Source of annotation: Marvin or Ruth Sackner.
The Last Cigaret: Smokeender's Haiku / Hirschman, Jack A.., 1989
The work is intended as an admonition to smokers in the form of a work of art. The haiku is repeated for both sexes. -- Source of annotation: Marvin or Ruth Sackner.
The Last Vispo Edition (supplement) / Olbrich, Jurgen O., editor; Altemus R; Bertola C; Figueiredo C; Hill C; Jirgens K; Krecker D; Nakamura K; Olbrich JO; Priddle R; Sutherland WM; Vitacchio A., 2012
The Legalization of Cake (Description) / McClurg, John., 1976
The Legalization of Cake / McClurg, John Wayne., 1976
This work is an unstructured, illustrated, erotic, tour de force of a novel. The papercard pages made by Mohawk Paper Mills are hinged in two places to enable the accordion construction. In commemts pn the internet, McClurg states tha it took 15 hours to assemble one copy. The covers are thick cardboard. There are 15 pages that have typewritten texts and the remainder are handwritten. -- Source of annotation: Marvin or Ruth Sackner.
[the LISSON gaL] / Houedard, Dom Sylvester., 1968
On the inside of an unfolded envelope Houedard has drawn several lettered and numbered squares with ink & colored ink that can be reversed.The note related to thr Lisson Art Gallery in London. The outside of the envelope includes his playing with the reversal of the name Saint Marylebone. -- Source of annotation: Marvin or Ruth Sackner.
The Little Bug Angel / Patchen, Kenneth., 1955
The poem reads as follows: He bangs his wings on the table! - Still no service! - What's the matter with that waiter! - Wow! Smell that roast biff! - Ah! he takes out a stick of dynamite - Brr-ump! That should teach them! - But nothing happens! - Of course, obviously, the dynamite of an angel that size - Does not (unfortunately) pack very much of a wallop. -- Source of annotation: Marvin or Ruth Sackner.
[The Living Theatre: Paradise Now: Collective Creation] , 1984
The Lost Rivers of London / Bush, Tracey., 1994
The embossings signify ancient tributories of the Thames river which have disappeared underground. The artist has written their names adjacent to the specific embossings. -- Source of annotation: Marvin or Ruth Sackner.