This volume is a reprint of the detective novel first published in 1938. a near identical facsimile of the third Hutchinson crime dossier originally published 1938, with varying size leaves, numerous tipped in clues and a sealed solution, a collection of statements, photographs, plans, samples of exhibits, etc, together forming the quasi-crime file of Police Lieutenant Schwab of New York starting with investigating the murder of the fifth Earl of Malinsay, allowing the reader to view all the evidence and try to solve the crime, solution sealed. -- Source of annotation: Marvin or Ruth Sackner.

This is an account of a complex visual/verbal painting, The Man of Sorrows (by Coleman after Bosch), that is his revelation of the hidden truths about Jesus Christ based upon Apocrypha, stories about Christ striken from New Testament because they clashed with view of Jesus that the church wished to perpetuate as well as Pagan and Jewish anti-Christian writings available soon after Jesus' death. Tipped full- color fragments of the painting are explained by Coleman in a printed calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This invitation for the 70th birthday surprise celebration for Marvin Ross Friedman was created in humerous, ersatz legalese language and images. The second page consisted of micrographic, illegible text, e.g, "the fine print!" -- Source of annotation: Marvin or Ruth Sackner.

Miriam was the wife of Kenneth Patchen. The background of this print was handcolored by Kenneth Pathchen.The text reads," Before the girl picking field daisies - Becomes the girl picking field daisies - There is a moment of some complexity." -- Source of annotation: Marvin or Ruth Sackner.

Miriam was the wife of Kenneth Patchen. The background of this print was hand colored by Kenneth Pathchen. The text reads, " Before the girl picking field daiseis - Becomes the girl picking field daisies - There is a moment of some complexity" -- Source of annotation: Marvin or Ruth Sackner.

This page consists of five drawn squares, four of which contain the words 'the, of an, yet.' The fifth square is blank. -- Source of annotation: Marvin or Ruth Sackner.

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Peter Greenaway has based his movie of 1994 on the story of Sei Shonagon a lady in waiting at the Japanese Heian Dynasty Imperial Court. He adapted this ancient story to a contemporary setting. It is a story of a contemporary Japanese woman who obsessively has her many lovers write texts on her body and she on theirs. "Our attention is drawn to view the film as an ironic demonstration that cinema, even now after hundred years of pretending to be an autonomous activity, is invariably text-driven, and almost wholly supported by literature." This book documents the script of the film and reproduces representative stills from it. -- Source of annotation: Marvin or Ruth Sackner.

This is a modern day version of a 10th Century Chinese story that has been brilliantly adapted, conceived, written and directed by Greenaway. It features body art using Japanese calligraphy done by Brody Neuenschwander. -- Source of annotation: Marvin or Ruth Sackner.

This is a modern day version of a 10th Century Chinese story that has been brilliantly adapted, conceived, written and directed by Greenaway. It features body art using Japanese calligraphy done by Brody Neuenschwander. -- Source of annotation: Marvin or Ruth Sackner.