Calligraphic text

Scope and Contents From Mishin's web site, the following was obtained. It is difficult, pathetic to write his biography, where we live in a time that the survival of the arts is under great doubts (we remind us of Hegel), and exhibitions such great artists of the 20th century such as Pierre Sulash and George Seagal in the Hermitage in half-empty halls implemented. I belong to the non-conformist artists of the spät-und post-Soviet period, have to Gaso-Newskij exhibitions in Leningrad and at the famous exhibition "From Gulag to Glasnost" in the United States participated, as well as the artist-symposia 1987 in Dresden, 1992 in Franz Maserel center. IIn connection with traditions of Max Ernst and George Seagal is what I call my "residual method realism" (residual realism) " Born in 1939 in Simferopol. Graduated at the Muchina Academy of Arts in Leningrad 1968. A member of the Artists Association of the Russian Federation since 1979. Was involved in numerous exhibitions in Germany and abroad (over 300). ...

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Mumbles., 1990

Item

Identifier: CC-06635-6754

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Murakami, Kazunori., 1987

Item

Identifier: CC-05801-5910

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Mussio, Magdalo., 1984

Item

Identifier: CC-46421-49148

Scope and Contents Massio was born in Volterra, Tuscany in 1925. Widely known throughout the gallery circuit in Italy, he worked as the editor of several cultural publications, including the magazine "Marcatrè" in the 1960s, plus he has created several animated cartoons and published several personal books uniting his own creative writings with an archaeology of images in a sweet melancholic mixture. From the beginning of the 1960's, Magdalo Mussio has been one of the main protagonists of the artistic searches between word and image that have anticipated and accompanied in Italy the developments of the conceptual art. After obtaining a bachelor in architecture and long stays abroad Mussio it has been, from 1963, editor and publishing curatore of the publishing house Lerici of Milan, publishing in those years the fundamental review of culture of vanguard "Marcatre." The graphical and written sign of Mussio emerges on the surface of its tables and of its papers, through infinites layers of...

Dates: 1984

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Mutel, Didier., 2000

Item

Identifier: CC-33836-35505

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled Notebook] / Wednesday Club, The ; Olbrich JO ; Richter C ; Roth M ; Voiges B., 2000

Item

Identifier: CC-33883-35555

Scope and Contents

The Wednesday Club consists of eight artists who collaborated in producing this book. It has been made with an appropriated old, handwritten accounting ledger. The presentation is reminiscent of a Robin Crozier book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[Untitled] / Olbrich, Jurgen O.., 1995

Item

Identifier: CC-29772-31150

Scope and Contents

This collage is composed of a small piece of handmarked paper placed over a fragment of handwritten German text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Pavanello, Giancarlo., 1992

Item

Identifier: CC-04571-4658

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[Untitled] / Phillips, Tom., 1966

Item

Identifier: CC-38870-40796

Scope and Contents

The text appears as if Phillips made several handwritten corrections but these are printed as well. Works in this show included 'Four Pieces for John Tilbury' and 'Music for n players' copies of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled Postcard] / Liversidge, Peter., 2000

Item

Identifier: CC-35481-37218

Scope and Contents

The card is addressed to the Sackner Archive with each handwritten letter a different color. The verso of the card is blank. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled Postcard] / Liversidge, Peter., 2003

Item

Identifier: CC-41491-43478

Scope and Contents

The card is addressed to the Ruth and Marvin Sackner Archive with this phrase written in graphite and the address in ink. The verso of the card is blank. It was sent in an envelope so that the stamp is not cancelled. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)