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Calligraphic text

 Subject
Subject Source: Sackner Database

Found in 2957 Collections and/or Records:

west est sea - mast hen tia / Dom Sylvester Houedard., 1966

 Item
Identifier: CC-50859-71937
Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

wf 2 nudes land / 3 X sunderland (740822) / Houedard, Dom Sylvester., 1974

 Item
Identifier: CC-55893-9999364
Scope and Contents

This poem was composed for Bob Cobbing/Writers Forum Exhibition at Ceolfrith Sunderland. The writing on the recto of one of two poems 'wf,' is visible on the verso as '3 X.' wf is the abbreviation for Bob Cobbimg's press, 'writers forum.' The other poem '2 nudes land' on the recto reads 'sunderland' on the verso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

What does Islam Look Like? / Cotter, Holland; Koraichi R; Neshat S., 2006

 Item
Identifier: CC-44564-46717
Scope and Contents This review of an exhibition at MoMA in New York states that "Rachid Koraichi , raised in a Sufi family in Algeria and now living in Paris, invents 'calligraphic' texts with Arabic characters, Chinese-style ideograms and talismanic signs, and embroiders them in gold on silk banners to creat banners for a new, universal language." Cotter also writes that "Shirin Neshat, born in Iran, turns the written word - as distinct from calligraphy, with its very particular skills - into a quasi-revolutionary instsrument in a seies of 1996 studio photographs of young women wha are dressed in traditional black veils but carry guns and have passages from erotic poetry and paeans to religious martyrdom written in Persian on their faces and hands. The artist seems to be symbolically placing political power in the hands of the kinds of veiled women who are automatically assumed by many Westerners to be oppressed victims of Islamic religious law, but who don't necessarily see themselves that way at...
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

What I Believe; Transpiration/Transpiring; Minnesota / Grenier, Robert; Scalapino L., 1988

 Item
Identifier: CC-10297-10500
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

What Indeed If I am Higgs / Patchen, Kenneth., 1955

 Item
Identifier: CC-55686-51731
Scope and Contents

The background of this print was hancolored by Kenneth Pathchen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1955
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

When the child of Leopard & dragonfly / Patchen, Kenneth., 1955

 Item
Identifier: CC-55687-9999278
Dates: 1955
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

When the Saints / Ciani, Piermario, editor ; Echaurren P., 2005

 Item
Identifier: CC-44423-46572
Scope and Contents

This is a religious spoof on Saints of the Church by several Italian poets/artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Whence did the Mystic...by William Massey / Moore, Suzanne., 1993

 Item
Identifier: CC-06360-6477
Scope and Contents Internet: Suzanne Moore is a printmaker, painter and lettering artist whose eclectic interests fuse in the diversity of her artists' books. Born to a family of gifted inventor-engineers and raised in post-Sputnik middle-America, her aptitudes in math and science channeled her into those areas at an early age. She made her way into the world of art at 20-something, and earned a BFA in Printmaking and Drawing in Wisconsin. Suzanne melds word and painted image with form, content and structure into spaces which invite the reader to engage, examine and inquire. Her books blend distinctive design, color use and surface treatments with textual content and contemporary lettering to create work that obscures the line between word and image, legibility and abstraction.The physical, sensual and architectural aspects of books and the musical/rhythmic, sequential, unfolding narratives of bookworks are a multi-dimensional parallel to the way imagery and letterforms move across surfaces. Moore...
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

whichever way it's turned / Burke, Herbert., 1981

 Item
Identifier: CC-22366-22789
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

White Christmas The Abortionist Gone South / Gorman, LeRoy., 1989

 Item
Identifier: CC-09955-10153
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Who Owned The Last Norfolk Wherry / Finlay, Ian Hamilton; Harvey, Michael., 1974

 Item
Identifier: CC-12353-12579
Scope and Contents

The card depicts a drawing of a Norfolk Wherry (type of sailship) with its sails and hull reflected in the water. The title posing the question is printed on four leaves of the card. Beneath this text as a metaphor for relection on water, the answer is provided in upside down lettering, Messrs. Woods Sadd & Moore. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Why the Solstice is always so.......Punctual / Soll, Ivan; Gomez, Marta., 2003

 Item
Identifier: CC-42029-44027
Scope and Contents

This is a New Year's greeting card. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

William Blake / Hirschman, Jack A.., 1967

 Item
Identifier: CC-08759-8934
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

William Blake / Hirschman, Jack A.., 1967

 Item
Identifier: CC-08761-8936
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

William Blake in Beuleh / Costa, Corrado., 1977

 Item
Identifier: CC-18582-18954
Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

William Blake's The Marriage of Heaven and Hell I , 1993

 Item — Folder 69: [Barcode: 31858072538030]
Identifier: CC-13066-13361
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Windows on Fire / Vermeulen, Guido., 1998

 Item
Identifier: CC-58877-10002081
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Winter Book / Rose, Thomas., 1996

 Item
Identifier: CC-27254-27761
Scope and Contents

Thomas Rose created a visual poetic tribute and memory to his father and mother upon their deaths, The presentation is introspective and dream-like, and these characteristics are matched in the physical presentation of the book with text that floats on the page, transparent papers with heavenly clouds, clinical typography for autopsy texts, and handwriting for personal thoughts and musings. The original graphic print seems to be an abstracted drawing of an urn of ashes. The brochure is a prospectus for the book.One of Rose's reminiscences reads as follows, "still the labor of your breathing is - heavy in the room - your breath - in a cloud of vapor as it left - your lips into the cold light of the room... -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Wishes for a Happy New Year / Gerlovina, Rimma; Gerlovin, Valeriy., 2016

 Item
Identifier: CC-61930-10004399
Dates: 2016
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

With Joy and Gratitude to Hashem / Marmelli, Joshua Lawrence., 1998

 Item
Identifier: CC-31203-32671
Scope and Contents

An elegant invitation to the Bar Mitzvah ceremony and celebration honoring Joshua Marmelli's thirteenth birthday and acceptance into Jewish maturity. The postage stamps were designed after images of sculptures by Alexander Calder. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

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