Calligraphic text
Found in 2957 Collections and/or Records:
Wormwood Review, The. No.79 / Weidman P., 1980
Edited by Marvin Malone. Wholly devoted to Phil Weidman's poems entitled, "Blind Man's Bluff." Includes a section reproducing Weidman's handwritten notebook pages. -- Source of annotation: Marvin or Ruth Sackner.
Wormwood Review, The. No.98 / Moore T., 1985
Edited by Marvin Malone. This issue is wholly devoted to a collection of poems entitled, "Watching" by Todd Moore. The cover and four pages reproduce handwritten poems from his working notebooks. -- Source of annotation: Marvin or Ruth Sackner.
Worried Noodles (The Empty Sleeve) / Shrigley, David., 2006
The phrase "Ugly Cunts" is painted in an abstract expressionist field on the inside of the folder covers. -- Source of annotation: Marvin or Ruth Sackner.
Wort Abenteuer / Sorgel, Hartmut., 1988
[Wrapping Paper] / Grafiche Tassotti., 2004
The design of this wrapping paper consists of calligraphed letters of various dimensions. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Different Tenses. No.14 / Peggy lefler., 1980
AntiChrist was first published as logical sequence #3 in Curvd H&Z series 0, No.9. This work is also designated Curvd H&Z No.50. -- Source of annotation: Marvin or Ruth Sackner.
[Writing on eight stave-like lines] / Hatherly, Ana., 1988
The drawing consists of eight lines of handwriting on groups of stave-like lines. -- Source of annotation: Marvin or Ruth Sackner.
Writing Series: Pressures #2 / Kallman, Edith., 1989
Writing Series: Private Musings / Kallman, Edith., 1989
This drawing is a 4 x 2 grid that provides a "sampler" of Kallman's calligraphic and visual styles. The single phrase of the title is used exclusively in all the panels. -- Source of annotation: Marvin or Ruth Sackner.
[x)...] / Caruso, Luciano., 1990
The drawing on the left side of the folio is collaged to the paper; the drawing on the right side has been done directly on the paper of the folio. -- Source of annotation: Marvin or Ruth Sackner.
[xeoxox x2] / Houedard, Dom Sylvester., 1968
Xerolage: Assassin. No.37 / Andrew Topel., 2005
Each page reproduces a single concrete poem. The Sackner Archive also holds the manuscript for this work which has 40 pages of poems. Twenty-six poems were used for this issue. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Rumble Strips. No.25 / Marilyn R. Rosenberg., 1995
Xerox Mother Fucker, 1985
Xibalba 5 Houses / Jack A. Hirschman., 1990
Contains hieroglyphics relating to the Mayan underground. -- Source of annotation: Marvin or Ruth Sackner.
Xibalba 5 Houses / Jack A. Hirschman., 1990
The book and the tilles depict hieroglyphics relating to the Mayan underground. -- Source of annotation: Marvin or Ruth Sackner.
Yes / Arshad, Yasmin., 2004
The handwrittten word YES is repeated in 22 lines. The gallery specializes in fine art and handcrafts by award-winning artists with disabilities. -- Source of annotation: Marvin or Ruth Sackner.
Yes We All Read and Reek of Papers / Furnival, John., 1967
This print that has been printed in green (for the environment?) depicts a photograph of a woman with the caption "not mama grandmama" and text that deals with concerns for killing of whales. -- Source of annotation: Marvin or Ruth Sackner.
Yod, 1966
This book is an example of the Kabbalistic period of Hirschman's work in which the poet combined Hebrew letters within his poetry. Yod is the letter Y and also means hand in Hebrew. The book was designed by Paul Vaughn and Pip Benveniste as a facsimile of Hirschman's manuscript. -- Source of annotation: Marvin or Ruth Sackner.
Yodeling up the Canyon / Fencott, P.C.., 1977
This is the 2nd edition of the book that was first published in 1977. Includes both typeset and handwritten texts. The latter include several calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.