The typed subtitle of the poem is "poem for tariqali following the reversible hasut-humanity & shari ha-law." The work is typed with handwriting on tranluscent, hand cut paper. DSH has written the instruction for letter press. -- Source of annotation: Marvin or Ruth Sackner.

This is a fine historic example of pre-poesia visiva. Tola belonged to Gruppo Studio, a Genovese group of artists founded in 1958 and still active in 2003 (see exhibition catalogue). This work represents one of Tola's "Wall Poems" as he called them at that time. Wikipedia: uigi Tola ( Genoa , October 5 1930 - Genoa , 25 June 2014 ) was an artist and poet Italian . Tola was one of the greatest exponents of Visual Poetry Italian. Active mainly in Genoa, where he founded the cultural centers The Porch, The Carbaga. He was also founder and director of the magazines Marcatré, Trerosso, The Ball. -- Source of annotation: Marvin or Ruth Sackner.

The image is a nude woman with text handwritten on her entire body. She is wearing boots and carrying a copy of the Spiegel magazine. This book was one of four held by the Sackner Archive utilized to illustrate the authors' novel, "Ich frass die weiss Chinesin." -- Source of annotation: Marvin or Ruth Sackner.

The image is a semi-nude woman with handwritten text covering her upper body. She is wearing jeans and standing with a cat at her feet. This book was one of four held by the Sackner Archive utilized to illustrate the authors' novel, "Ich frass die weiss Chinesin." -- Source of annotation: Marvin or Ruth Sackner.

The image is the back of a nude woman with text handwritten on her entire body. She is standing in a cooking pot with vegetables scattered on the ground. This book is one of four held by the Sackner Archive utilized to illustrate the authors' novel, "Ich frass die weiss Chinesin." -- Source of annotation: Marvin or Ruth Sackner.

The image is two nude women with text handwritten on their entire bodies. They are wearing boots and have a calligraphic cartoon bubble printed in red above their heads. This book is one of four held by the Sackner Archive utilized to illustrate the authors' novel, "Ich frass die weiss Chinesin." -- Source of annotation: Marvin or Ruth Sackner.

In addition to AUM=OM Houedard has reversed his initials dsh and dsH.This work is drawn on perforated tissue paper. AUM a mystical Sanskrit sound of Hindu origin (India), sacred and important in various Dharmic religions such as Sanātana Dharma or Hinduism, Sikhism, Buddhism and Jainism. Iin Sanskrit, it is sometimes referred to as praṇava, literally "that which is sounded out loudly." -- Source of annotation: Marvin or Ruth Sackner.

Barton Lidice Benes was born in Hackensack, N.J. on Nov. 16, 1942, the son of Marie and Richard Benes. His father, a son of Czech immigrants, gave him his middle name in memory of Lidice, a Czech town destroyed by trton Benes died on May 30, 2012, after a battle with HIV and AIDS that lasted more than 25 years. I interviewed Barton for the first time 10 years ago. He and his apartment were a reporter's dream. Inside an 800-square-foot studio was crammed 40 years worth of work, including his devastating AIDS pieces, which were usually quite funny at the same time. Barton and his apartment became addictive. I met him when he was deep in the throes of making relics out of celebrity garbage. -- Source of annotation: Marvin or Ruth Sackner.

Three pages taken for consideration by Favretto 2016, Two loose pages: Thou and Thou into dover futtering, Honeyblood of jese green the color of the grass (signed at bottom). One mounted page on board Avenue six flights up ten fifteen Longwood avenue (with hand painted paper collage, painting of soldier face, stamps). -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

This book is also included in an anthology, Saltoarte, an Assembling held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The 21 printed pages on translucent paper in this book reproduce Klophaus' handwriting. -- Source of annotation: Marvin or Ruth Sackner.