Calligraphic text
Found in 2960 Collections and/or Records:
El Lissitzky - Art and Pangeometry, 1973
The theme is based upon the teachngs of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.
Eleven Examples of Violence / Phillips, Tom., 1976
In Phillips' book Works and Text (1992), he indicates that this print (page 135) was ...put together with images of implied anger and violence; principally a cigarette-packet scarred with magnificant and furious drawing; done perhaps by someone driven to miniature and confined brutality as he (or she) waited for that feared and/or needed telephone call... On a more celebratory note I have used the letters ER from a piece of graffeti saying in full 'we are the bovver boys, dave and fred' as a reminder that this portfolio was finished in the Jubilee year." This print constitutes one of six prints from walking 1/2 mile around Phillips' studio. - it is based on the belief that there are no dull walks, only dull walkers. -- Source of annotation: Marvin or Ruth Sackner.
Emigre / Sloy., 1994
The word "emigre" is written repetitively in a grid with varied sizes and spaces to the lines of writing. This is a unfolded mailing poster to announce Emigre 32. The single fold in the center was made for convenience of storage. -- Source of annotation: Marvin or Ruth Sackner.
Emily Dickenson's I Saw No Way / Lalou, Frank., 1993
This poem, the first done in English by Lalou, was written with a conventional calligraphic style on the front of the series of the folded paper that formed four unbound pages. In addition, parts of the poem were written in a highly experimental style with vertical elongation and personal flourishes added to the letters. Lalou also illustrated these pages using brightly colored inks to form images composed of abstract calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.
En Toutes Lettres / Devaux F ; Isou I ; Pomerand G ; Satie A ; Sabatier R., 1989
This exhibition was a collaboration among the artists, the Institut du Monde Arabe (Paris) and the Galerie Le Chanjour (Nice). -- Source of annotation: Marvin or Ruth Sackner.
Enlaciary / Huth, Geof., 1986
Entneestet / Dienst, Hans., 1984
Entree / Dupont, Albert., 1981
Entwerter/Oder Edition: das leben fand in den 80ern statt (the life is gone in the 80's). No.4 / Uwe Warnke ; Ottfried Zielke., 2001
Epitaph For Moonlight / Schafer, R. Murray., 1968
The Sackners also hold the manuscripy of this score. -- Source of annotation: Marvin or Ruth Sackner.
Epithalamion for the Marriage of Marjeceta Cujes to Salvatore Incardona / McCaffery, Steve., 1979
The poems on the front and back covers are reminescent of Jackson Mac Low's "Vocabulary" performance poems. In fact, McCaffery entitles the two poems, "Vocabulary for Marjeceta Cujes" and "Vocabulary for Salvatore Incardona." -- Source of annotation: Marvin or Ruth Sackner.
Epithalamion for the Marriage of Marjeceta Cujes to Salvatore Incardona / McCaffery, Steve., 1979
The poems on the front and back covers are reminescent of Jackson Mac Low's "Vocabulary" performance poems. In fact, McCaffery entitles the two poems, "Vocabulary for Marjeceta Cujes" and "Vocabulary for Salvatore Incardona." -- Source of annotation: Marvin or Ruth Sackner.
Epithalamium-IV / Xisto, Pedro., 1965
ERENBERG Passages from The Book of Songs, 1978
Eros, 1990
Erotica / Aldridge, Adele ; Ippolito, Donna., 1975
Es Geht Voran! / Jaschke, Gerhard., 1990
[Es Que Ella] / Suarez Londono, Jose Antonio., 1998
The handprinted text was written by Suarez Lodono in a stream of conscious fashion with words coming from songs, conversations and personal thoughts. The small center drawing is a portrait of an upside-down man's head with the word "amen." It is set into the center of the lines of text. -- Source of annotation: Marvin or Ruth Sackner.