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Computer art

 Subject
Subject Source: Sackner Database

Found in 143 Collections and/or Records:

Design Quarterly: Does It Make Sense. No.133 / April Greiman., 1986

 Item
Identifier: CC-15231-15552
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Diagrams Series 3 / Rosenberg, Jim., 1979

 Item
Identifier: CC-56394-50210
Scope and Contents Jim Rosenberg was involved with John Cage as written in this communication on the internet by Anna Couer. The First Meeting of the Satie Society was conceived by John Cage and realized through the application of programs written at Cage's request by Jim Rosenberg and Andrew Culver (1985-86), this homage to the composer Erik Satie consisted of texts (presents) by writers who knew and loved Satie's work (or who might have if they had existed in a time period thar enabled them to know it), restructured by two computer programs. The texts were written by Henry David Thoreau, James Joyce, Marcel Duchamp, Chris Mann, Marshall McLuhan and John Cage, and also included selections from The Book of Genesis; there was also a "response" by Satie, consisting of selected quotes. One of the computer programs, MESOLIST, by Jim Rosenberg created mesostics on Satie's name and works from lines of text selected by IC a program by Andrew Culver that replicated the chance processes of the I Ching. The...
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Diptychs, 2007

 Item
Identifier: CC-46433-49162
Scope and Contents

Geof Huth contributed an introduction to this book of visual poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Dish / Cole, David., 1988

 Item
Identifier: CC-18622-18994
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Dish / Cole, David., 1988

 Item
Identifier: CC-59745-10002803
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Dramatization, 1989

 Item — Folder 81: [Barcode: 31858072460029]
Identifier: CC-06811-6932
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Drumbeat for Drumbo / Ball, Nelson., 1996

 Item
Identifier: CC-53355-100054
Scope and Contents

Drumbo is a village in Canada and the poem lists all words related to it by Microsoft Word spell checker. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Experiments in Art and Technology (E.A.T.). No.7 / Julie Martin, editor ; Knowles A., 1971

 Item
Identifier: CC-13954-14259
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Flag / Saunders, Robert., 1992

 Item
Identifier: CC-02412-2452
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

French Flag Infuence / Smith, Brian Reffin., 1989

 Item
Identifier: CC-01803-1839
Scope and Contents Wikipedia: Brian Reffin Smith (born 1946) is a writer, artist and teacher born in Sudbury in the United Kingdom. He lives in Berlin, Germany. Working with computers since the middle 1960s, he was a pioneer of computer-based conceptual art, with the aim of trying to resist technological determinism and "state of the art" technology which might merely produce "state of the technology" art. After showing interactive artworks at the Musée d'art Moderne de la Ville de Paris in 1983 he was invited by the French Ministry of Culture to intervene in art education, and was later appointed to a teaching post in the École nationale supérieure d'art (national art school) in Bourges. In the UK in 1979, Smith wrote 'Jackson', one of the first digital painting programs, for the Research Machines 380Z computer, software which was distributed by the Ministry of Education and widely used in schools and elsewhere. The BBC published his art software for the BBC Micro. He has been cited as one of the...
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

From the Journal of the Paumonock Traveller: Songlines & Inter...ceptions / Cole, David., 1988

 Item
Identifier: CC-17369-17733
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Full Penny Jar , 1989

 Item
Identifier: CC-07717-7867
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

futura: Computer Grafik. No.13 / Frieder Nake., 1966

 Item
Identifier: CC-27470-28518
Scope and Contents

The labyrinth, which spreads over the entire broadside surface, has no beginning or end. It is much denser in the middle section than on is borders. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Gemma Three: White Truth Black, 1979

 Item
Identifier: CC-28096-29255
Scope and Contents

The text of the cards is printed in binary code. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS / SMALL BOOKS

Get. No.3., 1986

 Item
Identifier: CC-10045-10244
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Get: The Gets Visit Mobile Homes and the Dali Museum in Florida. No.2., 1985

 Item
Identifier: CC-36310-38100
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Greetings / Cobbing, Bob., 1989

 Item
Identifier: CC-19045-19424
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Haphazard / Doctorovich, Fabio., 1994

 Item
Identifier: CC-16156-16499
Scope and Contents

Subtitled "A random-access assemblage of computerized visual poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Happy Birthday Ta! / Behar, Albert Sackner., 2002

 Item
Identifier: CC-38818-40732
Scope and Contents

This drawing was made by Marvin Sackner's grandson in honor of his 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hard Drive: 12 Computer Generated Poems / Sutherland, W. Mark., 1996

 Item
Identifier: CC-28414-29657
Scope and Contents

The images of the prints depict computer circuit boards. These serve as abstract versions for sound poems as first utilized by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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