Computer art
Found in 143 Collections and/or Records:
T. No.10 / Hula J., 1988
The cover design that depicts a photographic reproduction of an assemblage by Jira Hula is from the same series as the assemblage held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Technical Error 31 / Smith, Mimi., 1990
The book consists of printed drawings of a computer videoscreen with additions of pointillistic acrylic painted error messages typically encountered when running a program. On the opposite page, The artist's facial expressions (as scanned computer images) are depicted on the opposing page as she encounters the message. This copy is a printer's proof that was purchased from Peter Kruty. -- Source of annotation: Marvin or Ruth Sackner.
TeXturee / Hickman, Craig., 1989
[Thank You] / Chambers, Robert ; Chambers, Mette., 2000
The Book of the Happy Writing / Dautricourt, Joelle., 2010
This email documents the exhibition of Joelle Dautricourt 's poetic scriptural work in the Musee d'art et d'histoire du Judaisme in Paris. The Sackner Archive holds the first printed copy of this work. -- Source of annotation: Marvin or Ruth Sackner.
The Computer Drawings 1969 / Hammersley, Frederick., 2013
The drawings in this catalogue were printed from a program in Fortran running on a main frame computer. -- Source of annotation: Marvin or Ruth Sackner.
[The King and Queen Examine the Seed] / Wilson, L.., 1987
The two copies of this book differ slightly in the collaged elements placed upon several of the pages. -- Source of annotation: Marvin or Ruth Sackner.
The Poetry of RFecursive Fractals / Perneczky, Geza., 1996
Taken from the Archive of O!!Zone 2001. These prints were writtem on Fractint /Group L-system 1993-1995. -- Source of annotation: Marvin or Ruth Sackner.
The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Doctorovich, Fabio; Phillips T., 1995
Central image is a photograph standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.
The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Doctorovich, Fabio; Phillips T., 1995
Central image is a scanned photograph of Marvin Sackner standing near Tom Phillips' Curriculum Vitae painting. -- Source of annotation: Marvin or Ruth Sackner.
Things Constantly Moving Against Electric Current / Huth, Geof., 1992
The poems were written/designed in 1987 and the Endwords in 1992, expressly as part of a gift to Marvin and Ruth Sackner. -- Source of annotation: Marvin or Ruth Sackner.
This is Visual Poetry. No.51/Jul / A. J. Patrick Liszkiewicz., 2010
Union Station Track 12 / Cole, David., 1986
[Untitled computer graphic] / Daniel, Peter., 1997
This is a reproduction of a computer drawing that consists of random broken lines. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled computer graphic] / Daniel, Peter., 1997
This is a work that consists of abstract computer lines over which five Hebrew letters are drawn by the computer. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled Letter Picture], 2011
Wakest Aims? Kind Law & Zeal / Was, Elizabeth ; And, Miekal ; Helsem, Michael., 1989
Elizabeth Was uses her abbreviated name "Liz Was" in this book. The authors describe this book as a "composite assembling of styles of visual information...contrasting the hand-drawn with the computer-generated, the cave painting with the graffiti. Language has been twisted to form palindromes & anagrams. Photos have materialized out of nowhere to be assigned neologisms. Glyphs have been etched into paper & slogans have been coined." -- Source of annotation: Marvin or Ruth Sackner.
Wave-Land / Dardai, Zsuzsa., 2007
Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Weather Cancells Special Olympics / Petasz, Pawel., 1991
Wordwork / Dautricourt, Joelle ; Gysin B ; Sackner MA ; Sackner RK., 1996
This is an extension of Dautricout's rubberstampings dealing with permutations of "word." Here the images are produced in a computer and then printed with a Canon laser color copier. The catalogue mentions that Dautricourt's work is held in the Sackner Archive and was exhibited in The Altered Page (Center for Book Arts, NY) and the Beauty in Breathing Exhibitions (Miami Beach). -- Source of annotation: Marvin or Ruth Sackner.