This print depicts computer code written in Fortran. -- Source of annotation: Marvin or Ruth Sackner.

This book is depicted on pages 76-77 of Ulrichs' exhibition catalogue, "Die Druckgrafik" 2003. Ten rows of words are printed on each page of a computer print-out using computer generated anagrams of the word "permutation." -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Reprint that was first published in 1987. -- Source of annotation: Marvin or Ruth Sackner.

The typography throughout this periodical is experimental. -- Source of annotation: Marvin or Ruth Sackner.

The author uses the ASCII 8-bit binary code for each letter of the alphabeta as an acrostic so that the poems encode an investigation of layered and digitized language into the heart of the code itself. -- Source of annotation: Marvin or Ruth Sackner.

This print is from the computer keyboard compositions series and is reminiscent of the pieces of Guy Cointet. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. The Hebrew letter 'lamed' constitutes the background and the center biblical text was printed in muted orange, purple and beige colors. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A large Hebrew bown letter 'shin' formed the background for the Biblical texts printed in red and white. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A block of white text in the center was surrounded by black and red text printed with a larger font size. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text is derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A yellow Hebrew letter 'lamed' formed the background with the text printed in black and grey overlying it. -- Source of annotation: Marvin or Ruth Sackner.

This book is reference in Lovejoy's "Digital Currents" (2004) on page 161. -- Source of annotation: Marvin or Ruth Sackner.