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Computer text

 Subject
Subject Source: Sackner Database

Found in 91 Collections and/or Records:

Technically It Is Possible / Steen, Vagn., 1969

 Item
Identifier: CC-40646-42620
Scope and Contents

This poem about computers replacing human body parts was first written in Danish in 1965 and translated into English in 1969. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

The Good Life [Bliss in the Hills] / Valicenti, Rick., 1997

 Item
Identifier: CC-30322-31731
Scope and Contents

The perforated, translucent paper pages alternate with colored pages of domestic scenes including strange, sci-fi creatures. The text uses "dirty" typography after the style of Ed Fella. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

They Say People Can't Dream in a Digital Word / Aoki, Haruka., 2013

 Item
Identifier: CC-58037-10001288
Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

This is Visual Poetry. No.13/Mar / John Moore Williams., 2010

 Item
Identifier: CC-51983-73085
Scope and Contents On the back cover and internet, it is stated that John Moore Williams claims to be a poet and, occasionally, an artist. He also claims, marginally more lucratively, to be a copywriter and editor. It's fairly certain that he lives in Oakland, California, and that he has authored I discover i is an android (Trainwreck Press, 2008), writ10 (VUGG Books, 2008) and, with Matina Stamatakis, Xenomorphia (Wheelhouse, 2009). He also contributed lexical and visual poems, as well as book design, to [+!] (Calliope Nerve, 2009)"”the last in collaboration with Matina Stamatakis and Kane X. Faucher. He also edits the visual poetry journal The Bleed (http://avantexte.com/thebleed). His blog is called SinTax (fissuresofmen.blogspot.com). Thanks to Michael Jacobson and Mark Young, editors of The New Post-Literate and Otoliths, respectively, who originally published some of these works. This work is dedicated to my mother and to bitterness, endless sources of inspiration. -- Source of annotation:...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

This is Visual Poetry. No.14/Mar / Millie Ness., 2010

 Item
Identifier: CC-51984-73086
Scope and Contents On the back cover and internet, it stateS that Millie Niss (1973-2009) was a poet and web artist whose work was widely published on the web and in print, including the Electronic Literature Collection, SCOPE 2006, cover art for the International Journal on Multicultural Societies, Hyperrhizz, and Museum of the Essential and Beyond, dvblog, and logolalia. Her website: http://www.sporkworld.org and blog: http://sporkworld.tumblr.com. Several images first appeared in different form in Word Circuits (images 2-3) Iowa Review on the Web (image 4) and Dudley House, Harvard University (image 11). Martha Deed constructed this collection from works originally designed for exhibit in galleries or as interactive web.art. Martha says for Millie: "For Millie Niss, all relationships were political, and one's own life was also intimately connected to ever larger political and cultural circles. In the context of growing up with linguistic and family roots in France and New York State (New York...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Trax 010189 / Ciani, Piermario., 1989

 Item
Identifier: CC-19533-19916
Scope and Contents

The type face of the characters in the broadside are computer generated ding bats. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Utopic Furnace Press: Choshk Choshk Rings. No.10 / jw curry., 1984

 Item
Identifier: CC-00992-1018
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Vbnjhmugvf (Head #19,250) / Random, Steve., 2006

 Item
Identifier: CC-49433-70478
Scope and Contents

This print is from the computer keyboard compositions series and is reminiscent of the pieces of Guy Cointet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Vc tf78 (Knees #19,250) / Random, Steve., 2006

 Item
Identifier: CC-49435-70480
Scope and Contents

This print is from the computer keyboard compositions series and is reminiscent of the pieces of Guy Cointet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Want: [****] Four Letter Word. ., 1998

 Item
Identifier: CC-30321-31730
Scope and Contents

The colored photographic portraits of nude, young, pierced males and females have suggestive commands printed on them in capital letters, e.g., control me, need me, pursue me. A personal story is printed in a dotted typography that is vaguely related to the images. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Weltbilder: Computergestuzte Visionen / Dencker, Klaus Peter ; Weiss C ; Weibel P ; Schmidt SJ ; Carroll L., 1995

 Item
Identifier: CC-16153-16496
Scope and Contents

This is the proceedings of a congress (Interface 2) on the role of the computer in the arts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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