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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6528 Collections and/or Records:

Yaweh / Barancik, Bob., 1994

 Item
Identifier: CC-23836-24284
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Years / Daniels, David., 2001

 Item
Identifier: CC-39117-41059
Scope and Contents

David Daniels was born in 1932 and begins his autobiography embellished with fantasizing with 1933. He describes his life in concrete poetic terms, year by year up until 1972. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Years / Daniels, David ; Sackner RK ; Sackner MA ; Basinski M ; Goldsmith K., 2001

 Item
Identifier: CC-40968-42947
Scope and Contents

This book extends the autobiography of David Daniels from 1973 to 2002 (original manuscript with same title ran from 1933 to 1972). The years 1933 to 1972 are repeated from the original manuscript that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Yellow Flags, 2010

 Item — Box 194: [Barcode: 31858072459641]
Identifier: CC-54575-990021
Scope and Contents

The original title is "The Triumphal Procession of White Clouds Moving Upstream" and calls to mind his Neo Fauve poem from 'Flags From A Remnant Railway' of 1975. It was first printed as a letterpress postcard on the tredle platten press at The Trent Bookshop in 1969. It was subsequently reprinted in The Sea is Silent by Coracle 1991, amongst other places. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

yellow ginnie's favourite colour / Lee, Alfie., 1995

 Item
Identifier: CC-45097-47274
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[yellow yellow yellow] (070963) / Houedard, Dom Sylvester., 1963

 Item
Identifier: CC-57865-10001117
Scope and Contents

This typing consists of a zig-zag column of the word yellow and nine words up from the botton the single word green.This is conceptually similar to silencio by Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

YES / Lelie, Herman C.., 1991

 Item
Identifier: CC-07147-7287
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Yester'n' Today / Kriwet, Ferdinand ; Apollinaire G ; Mallarme S ; Mon F ; Schwitters K ; Nauman B ; Joyce J ; Fahlstrom O ; Gomringer E ; Ulrichs T ; Wolf R ; Schulz CB ; Celan P ; Brock B ; Uecker G., 2011

 Item
Identifier: CC-52513-73641
Scope and Contents

This catalogue depicts copious illustratIons of his works througout his lifetime. It is mentioned that Kriwet wrote his first book, "Rotor," in 1961 as a continuous text without capital letters, stops and commas at age 19 years. This book is analyed on pages 53-55 by Christoph Benjamin Schulz. A 1981 solo exhibition was the last one for 23 years until 2004 when rgw BQ gallery in Cologne showed old and recent works. And until 2011 when the Kunsthalle Dusseldorf held this retrospective. Pages 57-103 depict examples of Kriwet's typewritten poetry beginning at age 14 years with convention poetry and progresssing to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Yet Another Rubber Stamp Poem, 1988

 Item — Box Adler: [Barcode: 31858072490828]
Identifier: CC-37580-39437
Scope and Contents

The drawing depicts solely the letter 'A' in a kinetic pattern. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Yikes (You Like Books?) / Golden, Alisa., 1990

 Item
Identifier: CC-10158-10359
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Ying-Yang Cube, 1968

 Item — Folder 77: [Barcode: 31858072538360]
Identifier: CC-55695-9999281
Scope and Contents

This iks the lay-out for assembling the poem in its cubic shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

yo catch a whitemanby his manifesto / Houedard, Dom Sylvester, teacher; students of bath academy of art., 1969

 Item
Identifier: CC-55962-9999430
Scope and Contents

The print designs were made by students at the Bath Academy of Art from suggestions made by Houedard as to their themes. The Sackners originally owned two portfolios, one of the numbered edition, the other of an unnumbered edition signed by Houedard on the title page. A water leak in the house near these porfolios completely ruined one of the portfolio covers and damaged the other; two prints that orinally had several artistikc incisions were runed. The print collaged onto one of the portfolios was salvaged for a newly made substitute portfolio. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

You And I Were Missing / Murphy, Peter., 1975

 Item
Identifier: CC-57880-10001131
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

You Are Everything / Emmanuel and Erofili., 1978

 Item
Identifier: CC-14050-14355
Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

You Are Great / Emmanuel and Erofili., 1978

 Item
Identifier: CC-14049-14354
Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

You Are The Figure, 1994

 Item — Folder 54: [Barcode: 31858072537883]
Identifier: CC-39189-41134
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

You Can Have Your Fucking City Bak, 1967

 Item
Identifier: CC-07271-7414
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

You Must Work Harder to Write Poetry of Excellence: Crafts Discourse and the Common Reader In Canadian Poetry Book Reviews / Mancini, Donato ; Colombo JR ; Betts G ; Acorn M ; Bok C., 2012

 Item
Identifier: CC-55269-9999031
Scope and Contents Linda Hutcheon (Amazon.com): While Canadian poetic practices have steadily pluralised since the early 1960s, the poetry review has remained stubbornly constant. You Must Work Harder to Write Poetry of Excellence is a critical, and at times hilarious survey of reviews of innovative Canadian poetry in English since 1961. What is at stake in the reviewing of poetry? What fantasies are inherent to the practice? How is poetry itself produced in the reviewing of poetry? Why has the reviewing of poetry remained largely invisible to self-reflexive critique? These are some of the many questions You Must Work Harder to Write Poetry of Excellence dares to ask in its query to determine if poetry reviewers can claim to have the authority the imagine they have over their chosen subject. As a retort to the retrograde trend that is poetry reviewing in Canada, You Must Work Harder to Write Poetry of Excellence is the first book to detail the production and structure of an "aesthetic conscience"...
Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

You Silently (Two) / Marina Warner, curator ; Dawn Ades, curator ; Winston S ; Finlay IH ; Scanlan P ; Krecker D ; Parker G ; Stangos N., 2008

 Item
Identifier: CC-54617-990064
Scope and Contents

Sam Winston's, "Passion" print of the Romeo and Juliet series is depicted. The complete work of this series (6 prints, edition of five) is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

You Were a Bastard for being so Fucking Good in Bed or The Unmentionable / Le Sueur, Joe., 1982

 Item
Identifier: CC-07539-7683
Scope and Contents

Gay poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

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