Concrete poetry
Found in 6393 Collections and/or Records:
from arat x art - art 2: situartion - situation; rature- arture , 2001
The two pages were originally composed in 1995. -- Source of annotation: Marvin or Ruth Sackner.
From Arne with Love / Wolf, Arne., 1973
The title is repeated in grid-like patterns, over printed, and turned up-side-down to create a highly textured, dense work. -- Source of annotation: Marvin or Ruth Sackner.
From Boomsday to Doosday..Attention Please, Attention If You Please Do Not Panic, 1980
The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
From Constance to Fifi: The Loves of My Life, 1985
The love is actually for a fount of Atlas type. When Charlotte Garry wrote to John Crombie saying she didn't understand the book, he patiently wrote back, 'it is designed, essentially as a diversion for typographers: the cover and first page show a complete fount, the lay of a case of type. On each successive page, a number of letters have been removed: those required to compose a particular name. Ten pages, ten names - from Constance to Fifi. Of course, it's really just a pretext dreamed up by me to show off the Atlas type, an old case of which I'd just acquired by chance.' -- Source of annotation: Marvin or Ruth Sackner.
From Cornwall Poems / Cobbing, Bob., 1973
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From I to Iran: Further Subverse Wanderings / Endwar., 1990
Endwar titles a poem from a word(s) and fragments it(them) into clusters of letters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music / Perrone, Charles ; DeCampos A ; DeCampos H ; Pignatari D., 1985
Author establishes the relationship of Brazilian Concrete Poetry to Bosa Nova Music. -- Source of annotation: Marvin or Ruth Sackner.
From None to Something / Cole, David., 1989
According to Cole, the book is based upon "24 small, daily artworks recording a humorously scandalized conversation between a rubber stamp of a Nun and a rubber stamp of a Townswoman" mailed to him by Sheril Cunning. -- Source of annotation: Marvin or Ruth Sackner.
From Ode to Anthem: Problems of Lyric Poetry / Grimm, Reinhold, editor ; Hermand, Jost, editor ; Simmias of Rhodes ; Porphyrii PO ; Besantinus ; Maurus H ; Geuder J ; vonBerken S ; Kleiner G ; vonGrieiffenberg C ; Herbert G ; Sainct-Gelais M ; Grisel J ; Gomringer E ; Klesel D ; Bremer C ; Belloli C ; Bill M ; cummings ee ; Apollinaire G ; Morgenstern C ; Solt ME ; Garnier I ; Garnier P ; Niikuni S ; Cook S ; Jandl E ; Agnostowitsch I ; Dohl R ; Carduna C ; Cataldo J ; Finlay IH ; Boso F ; Castillejo JL ; Aman R ; KIrsch S ; Atwood M ; Derrida J ; Novak L ; Pound E., 1989
This book was based upon proceedings of 17th annual workshop sponored by the Department of German at the University of Wisconsin-Madison. Reinhold Grimm wrote a detailed, historical, illustrated essay on emblem, concrete and shaped poetry titled, "Poems and/as Pictures: A Quick Look at Two and a Half Millennia of Ongoing Aesthetic Intercourse." Sixty five examples of such poems are depicted. Grimm provides several shaped poems by different authors from George Herbert to Eugen Gomringer on "meditative wings." A shaped poem by an anonymous author entiltled "Cube" (1710) is printed in German and Yiddish (Figure 29). ee cummings' poem "Grasshopper" (1935) is reprinted (Figure 32). Includes three erotic shaped poems by Reinhold Aman, editor of the magazine, Maledicta (Figures 62-64). -- Source of annotation: Marvin or Ruth Sackner.
[From Pattern inside Envelopes], 1993
[from "Poemes franco-japonais" (1966)] / Niikuni, Seiichi; Garnier, Pierre., 1972
From Science to Systems of Art / Railing, Patricia ; Burliuk D ; Malevich K ; Ouspensky P ; Kruchenykh A ; Khlebnikov V ; Marinetti FT ; Kamensky V., 1989
The author describes "The Naked One Among the Clad" as Kemensky's first ferroconcrete book of poetry. She also cites and translates into English "Futuristy-Hylaea" and "Constantinople" (probably the first ferroconcrete poem). Both are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.