Concrete poetry
Found in 6475 Collections and/or Records:
Frightened (Pile) State 3 / Rosenberg, Marilyn., 1984
Frog No.4 / Parritt, Simon., 1973
This is a typewriter, concrete poetic image of Basho's 'Frog, Pond, Plop.' -- Source of annotation: Marvin or Ruth Sackner.
Frog Pond / Nightingalecicada / Houedard, Dom Sylvester., 1965
This depicts working ideas for Frog Pond Plop, later realized in a different format as Opening Number No.6, 1965. -- Source of annotation: Marvin or Ruth Sackner.
frog pond plop - the yoga of concrete in the work of Dom Sylvester Houedard: Installation Views / Houedard, Dom Sylvester., 2010
frogments from the frag pool: haiku after basho / Barwin, Gary ; Beaulieu, Derek., 2005
frogments from the frag pool: haiku after basho / Barwin, Gary ; Beaulieu, Derek., 2005
from 24/7 / Leftwich, Jim., 1995
From A to Z [reprint], 2012
From Alphabet to Logos / Ward, J.P.; Carroll N., 1970
Edited by Peter Finch. This is issue No.2 in the second aeon folder series. Issue No.1 is Bob Cobbing's "Songsignals," which is also held by the Sackner Archive. These are the only issues published. -- Source of annotation: Marvin or Ruth Sackner.
from arat x art - art 2: situartion - situation; rature- arture , 2001
The two pages were originally composed in 1995. -- Source of annotation: Marvin or Ruth Sackner.
From Arne with Love / Wolf, Arne., 1973
The title is repeated in grid-like patterns, over printed, and turned up-side-down to create a highly textured, dense work. -- Source of annotation: Marvin or Ruth Sackner.
From Boomsday to Doosday..Attention Please, Attention If You Please Do Not Panic, 1980
The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
From Constance to Fifi: The Loves of My Life, 1985
The love is actually for a fount of Atlas type. When Charlotte Garry wrote to John Crombie saying she didn't understand the book, he patiently wrote back, 'it is designed, essentially as a diversion for typographers: the cover and first page show a complete fount, the lay of a case of type. On each successive page, a number of letters have been removed: those required to compose a particular name. Ten pages, ten names - from Constance to Fifi. Of course, it's really just a pretext dreamed up by me to show off the Atlas type, an old case of which I'd just acquired by chance.' -- Source of annotation: Marvin or Ruth Sackner.
From Cornwall Poems / Cobbing, Bob., 1973
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From Dante to the Post-Concrete: An Interview with Augusto de Campos / Greene, Roland; DeCampos A; Joyce J; Pound E; Pignatari D; Morgan E; Dante; Rose P; Hollander J; Perloff M; Cage J; Arnheim R; Mallarme S., 1989
From I to Iran: Further Subverse Wanderings / Endwar., 1990
Endwar titles a poem from a word(s) and fragments it(them) into clusters of letters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.