Concrete poetry
Found in 6475 Collections and/or Records:
From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music / Perrone, Charles ; DeCampos A ; DeCampos H ; Pignatari D., 1985
Author establishes the relationship of Brazilian Concrete Poetry to Bosa Nova Music. -- Source of annotation: Marvin or Ruth Sackner.
From None to Something / Cole, David., 1989
According to Cole, the book is based upon "24 small, daily artworks recording a humorously scandalized conversation between a rubber stamp of a Nun and a rubber stamp of a Townswoman" mailed to him by Sheril Cunning. -- Source of annotation: Marvin or Ruth Sackner.
From Ode to Anthem: Problems of Lyric Poetry / Grimm, Reinhold, editor ; Hermand, Jost, editor ; Simmias of Rhodes ; Porphyrii PO ; Besantinus ; Maurus H ; Geuder J ; vonBerken S ; Kleiner G ; vonGrieiffenberg C ; Herbert G ; Sainct-Gelais M ; Grisel J ; Gomringer E ; Klesel D ; Bremer C ; Belloli C ; Bill M ; cummings ee ; Apollinaire G ; Morgenstern C ; Solt ME ; Garnier I ; Garnier P ; Niikuni S ; Cook S ; Jandl E ; Agnostowitsch I ; Dohl R ; Carduna C ; Cataldo J ; Finlay IH ; Boso F ; Castillejo JL ; Aman R ; KIrsch S ; Atwood M ; Derrida J ; Novak L ; Pound E., 1989
This book was based upon proceedings of 17th annual workshop sponored by the Department of German at the University of Wisconsin-Madison. Reinhold Grimm wrote a detailed, historical, illustrated essay on emblem, concrete and shaped poetry titled, "Poems and/as Pictures: A Quick Look at Two and a Half Millennia of Ongoing Aesthetic Intercourse." Sixty five examples of such poems are depicted. Grimm provides several shaped poems by different authors from George Herbert to Eugen Gomringer on "meditative wings." A shaped poem by an anonymous author entiltled "Cube" (1710) is printed in German and Yiddish (Figure 29). ee cummings' poem "Grasshopper" (1935) is reprinted (Figure 32). Includes three erotic shaped poems by Reinhold Aman, editor of the magazine, Maledicta (Figures 62-64). -- Source of annotation: Marvin or Ruth Sackner.
[From Pattern inside Envelopes], 1993
[from "Poemes franco-japonais" (1966)] / Niikuni, Seiichi; Garnier, Pierre., 1972
From Science to Systems of Art / Railing, Patricia ; Burliuk D ; Malevich K ; Ouspensky P ; Kruchenykh A ; Khlebnikov V ; Marinetti FT ; Kamensky V., 1989
The author describes "The Naked One Among the Clad" as Kemensky's first ferroconcrete book of poetry. She also cites and translates into English "Futuristy-Hylaea" and "Constantinople" (probably the first ferroconcrete poem). Both are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
from the cosmic typewriter - a somantric diversion [1] / Houedard, Dom Sylvester., 1963
from the cosmic typewriter - a somantric diversion [2] / Houedard, Dom Sylvester., 1963
From the cycle "Amen" (sacred cycle) / Kozol, Myroslav., 1996
From the cycle "!?i..." / Kozol, Myroslav., 1996
From the cycle "Money" / Kozol, Myroslav., 1996
From the cycle "Space" Salvador Dali / Kozol, Myroslav; Dali S., 1996
From the cycle "Time" / Kozol, Myroslav., 1996
From the cycle "Time & Space" "Time" "Proportions" / Kozol, Myroslav., 1996
From the cycles "!?I..." Space / Kozol, Myroslav., 1996
From "The Pythagorean Sonnet" , 1971
from trackings / curry, jw., 2009
The prints originate from railroad stencils. One print that is depicted in this record is an example of a print made with such stencils. -- Source of annotation: Marvin or Ruth Sackner.
from trackings / curry, jw., 2009
The prints originate from railroad stencils. -- Source of annotation: Marvin or Ruth Sackner.
from vowels / Hasekura, Takako., 1998
The prints depict poems formed from a rectangular grid of English vowels with superimposed word play derived with English or Japanese words as well as rubberstamped images. The captions to the poems are in Japanese and English. -- Source of annotation: Marvin or Ruth Sackner.
Fror / Simoes. Ronaldo Periassu., 1975
Only one copy at the Getty Institute was found in on intenet search. -- Source of annotation: Marvin or Ruth Sackner.