Small black letters that spell Frozen in Time are embedded in the resin. -- Source of annotation: Marvin or Ruth Sackner.

The title of the work is derived rom the cities of Floro, Norway; Zenag, Papua New Guina and Sandusky, Ohio. The face of the watch is covered with 25, three letter airline abbreviations of worldwide cities. Langlands & Bell focus of urban centers "in an abstract constellation evoking the persistent transience of contemporary urban life." -- Source of annotation: Marvin or Ruth Sackner.

Various names of fruits are printed or rubberstamped on matching colored paper stock and inks. -- Source of annotation: Marvin or Ruth Sackner.

Foreword for this anthology involving permutations of groups of four words, sentences &/or images was contributed by Pierre Garnier. The afterword was done by Dieter Mahlow. The 70 Roman numeral designated books were distributed to the artists (Sackner copy); the remaining 80 numbered copies were offered for sale. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.6. A portion of a typed, concrete poem was repetetively recopied on a photocopier and enlarged such that its image diminishes page by page until it virtually disappears. -- Source of annotation: Marvin or Ruth Sackner.

This piece provides instructions for building a machine as a memorial to da levy. Such a machine could be programmed as an animation but economical, high powered, computers were still on the horizon at that time. The Sackner Archive holds a large Archive of da levy's work who committed suicide in 1968. -- Source of annotation: Marvin or Ruth Sackner.

This piece provides instructions for building a machine as a memorial to da levy. Such a machine could be programmed as an animation but economical, high powered, computers were still on the horizon at that time. The Sackner Archive holds a large Archive of da levy's work who committed suicide in 1968. This is the same typing as Funeral Games 1 but without the instructions. -- Source of annotation: Marvin or Ruth Sackner.

This is a static piece of poetry base upon Funeral Games 1 and 2 and is stored with them in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.

Designated fours number fifteen. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.

Designated fours number fifteen. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.

Designated fours number fifteen and is the first edition. Cover names are printed as lawrence cobton & bob upbing. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.22. This is the documentation of the collaboration between Claire and Paul San Casciani, a stained glass artist for an exhibition during Oxford Week 1988. -- Source of annotation: Marvin or Ruth Sackner.

The constellations presented in this broadside are mostly based on the theme of colors. -- Source of annotation: Marvin or Ruth Sackner.

Finlay supplies notes that provide his interpretation of each of the six poems in this broadside. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

In notes to the poems, Smith states, "form determines meaning - better still - form is meaning, the cart before the horse or rather the cart becoming the horse, etc." -- Source of annotation: Marvin or Ruth Sackner.

The only copies of this issue are in futura sammelband. -- Source of annotation: Marvin or Ruth Sackner.

This poem is printed with several different font sizes in a chaotic, albeit as a horizontal structure. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.