As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. Most of the pages of this book depict an abstract woodcut image that has been manipulated by joining multiple images of it. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 7 consists of different arrangements of the rubberstamped words 'dash' and a single page with the word 'leap' along with abstract woodcut prints on non-rubberstamped pages that have a tenuous relation to the text. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 2 includes different arrangements of the rubberstamped words 'jump' and 'dive' along with abstract woodcut prints on non-rubberstamped pages that appear to relate to the text. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 16 is divided by subheadings into four parts: 1) 16 one to six squares joined together with one and two repeated on eight pages, 2) 16 1/4 one to three squared joined together, 3) 16 1/2 one square with different spatial arrangements on 5 pages, 3) 16 3/4 no subsequent pages. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 8 consists of different arrangements of the rubberstamped word 'fly' with abstract woodcut prints on non-rubberstamped pages that have a vertical figuratuve appearance. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. Most of the pages of this book depict an abstract woodcut image. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 3 consists of different arrangements of the rubberstamped words 'leap' and a single page with the word 'dash' along with abstract woodcut prints on non-rubberstamped pages that have a tenuous relation to the text. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. One letter of the title is rubberstamped with varied fonts on the lower right corner of a page and separated from it by one or more pages that depict abstract woodcut prints. The title, saunter, means to walk in a slow, relaxed manner, without hurry or effort. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamped words in this book includie lope, trot, soar, roam and spurt. There is a single abstract design. -- Source of annotation: Marvin or Ruth Sackner.

The words gambol, cavorat and twitch are rubberstamped on three single pages. The remaining pages depict abstract woodcut designs. -- Source of annotation: Marvin or Ruth Sackner.

The cover is rubbersstamped with several number'3s.' The words'being a go book' are rubberstamped on one page. The words be a go book are also rubberstamped on separate pages. -- Source of annotation: Marvin or Ruth Sackner.

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. The special issue numbering also included non-related booklets with different titles. Go Book 1 consisted of different arrangements of the rubberstamped words 'walk' and 'run' along with abstract woodcut prints on non-rubberstamped pages that appear to relate to the text. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this poem, first composed in 1962, depicts the Christian concept of Heaven and Hell from the blue sky (azur) to the bowels of the earth. -- Source of annotation: Marvin or Ruth Sackner.