Simon Romero wrote this obituary and described concrete poetry as the arrangement of the letters of the word in shapes that would lend them multiple meanings. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of critical essays about Haroldo de Campos. It includes a postscript section on his death (1929-2003). Marjorie Perloff contributed an essay "Concrete Prose in the Nineties: Haroldo de Campos Galaxias and After" and interviewed both Haroldo and Augusto de Campos in "Brazilian Concrete Poetry: How It Looks Today." Willard Bohn wrote about "Concrete Poetry at the Crossroads," an intelligent critique of specific concrete poems by de Campos and contemporaries. -- Source of annotation: Marvin or Ruth Sackner.

This concrete poem is laid out as an abstract design. -- Source of annotation: Marvin or Ruth Sackner.

A copy of this photograph is also held by the University of Iowa Librairies Special Collections & Uniersity Archives, the pnly record found on the internet. The title translated to he is a double alas, I whu. -- Source of annotation: Marvin or Ruth Sackner.

From page top a cut out letter " l" is collaged onto page center with a green strip. At the bottom left Houedard has written "ode to the colonels" in reference to the Greek military dictatorship. On the right border he has written "glastsz ode consturctions ltd." Wikipedia: The Greek military junta of 1967"“74 (alternatively The Regime of the Colonels. The Dictatorship and The Seven Years was a series of right-wing military juntas that ruled Greece following the 1967 Greek coup d'état led by a group of colonels on 21 April 1967. The dictatorship ended in July 1974. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.

Concrete poems were created from collated headlines. Eight were composed by the art students and five by Finlay. Ann Stevenson who did "Water Wheels in Whirl" is known as Ann Noel and is the wife of Emmett Williams. Work is dedicated to Eve Furnival, and cover of portfolio consists of a grid of identical child-drawn images of Finlay entitled "The Flying Scatsman." In this copy, the title page has a typographic error, viz., Published dy (sic) Openings Press...(this was not observed in another copy formerly held by the Sackner Archive). Ian Hamilton Finlay's "13 evelines," were sent to John Furnival's daughter Eve as postcards on thirteen consecutive days by students in Furnival's Bath Academy of Art class. It was subsequently printed as this portfolio. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is listed as holding works by Tipping. -- Source of annotation: Marvin or Ruth Sackner.

This is a duplicate print from Finlay's portfolio Headlines:Eavelines. The word, "turnover" in this copy are orange whereas the print in the portfolio is brown.The verso has the following inscription: "from Evalines / Headlines by I.H.F. and students at Bath Academy of Art Openings Press." -- Source of annotation: Marvin or Ruth Sackner.

The poem depicted on the cover of this card is an embroidered poem of Sloy's Shroud. -- Source of annotation: Marvin or Ruth Sackner.

The letter to Jack [?] reads "here in a boite box with some bonbons sweets and a friend un ami and his chien dog for you and your jambe Leg to get well soon from silvester." The large letters on the right side of the page are typed by using the following lower case letters or punctuation marks: o _ . " $ . The right side of the page is crumpled and torn. -- Source of annotation: Marvin or Ruth Sackner.

Theme of book is the intrusion by telemarketing; the spine is wrapped insulated colored wires that might be used for telephone connections. -- Source of annotation: Marvin or Ruth Sackner.

The large letters, H and J, stand for Henri and Jean as a celebration of their 25th wedding anniversary. -- Source of annotation: Marvin or Ruth Sackner.