Concrete poetry
Found in 6475 Collections and/or Records:
hommage chopin (230264) / Houedard, Dom Sylvester., 1964
Honey by the Water, 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Contains a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Honey by the Water, 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Honey by the Water, 1973
The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.
Honey / Sutherland, W. Mark., 1993
Honk / Depew, Wally., 1984
Horizon / Rosenberg, Marilyn R.., 2000
The word "horizon' is rubberstamped in different colors. -- Source of annotation: Marvin or Ruth Sackner.
Horizont, 1978
The poem is slanted downward to the right and translates as "My Horizon." Designated as blatt 55.78. -- Source of annotation: Marvin or Ruth Sackner.
Hortexte Radiotexts / Kriwet, Ferdinand., 2007
These records include the following performances, Apollo Amerika, Campaign, Radioball, Ball, Voice of America and Radio. The book accompanying the images provides illustrations of Kriwet's working methods. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: 10 Works. No.1/Nov / Elizabeth DiPalma., 1990
Edited by Ray DiPalma. The large type faced letters produce a visual appearance similar to the letter poems of Clemente Padin. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: Horror Vacui. No.18/Apr / Doug Lang ; Khlebnikov V., 1991
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
Hour Glass Elm / Brilliant, Alan., 1979
Also designated Unicorn Folded Broadside Series One, No.10. -- Source of annotation: Marvin or Ruth Sackner.
Housepress Card: class. / Derek Beaulieu., 1999
Housepress Card: fEEl. No.11 / Derek Beaulieu., 1999
Housepress Card: Getting Organized. / Derek Beaulieu., 1999
Housepress Card: Verbs. / Derek Beaulieu., 1999
Housepress Openpalm: bird studies. No.8 / LeRoy Gorman., 2000
Housepress Openpalm: Finger Lakes. No.4 / Joel Bettridge., 2000
This poem was excerpted from "A Walk in the Park." -- Source of annotation: Marvin or Ruth Sackner.
Housepress Openpalm: Typestyler Poems 1998-2000. No.5 / Reed Altemus., 2000
Housepress Spur: 3 bashos for n.m. hennessy. No.3/Apr / Derek Beaulieu., 1999
This is a variation of a haiku poem popularized by Dom Sylvester Houedard. -- Source of annotation: Marvin or Ruth Sackner.