Concrete poetry

Iconogramma [3] / Ferro, Luigi., 1967

Item

Identifier: CC-12839-13126

Scope and Contents

Image has been created from upper case "F's" printed in red, right side up and rotated. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Id-Grids and Ego-Graphs, 1978

Item

Identifier: CC-15555-15882

Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive holds the original maquette for this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Id-Grids and Ego-Graphs, 1978

Item

Identifier: CC-15718-16047

Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive holds the original maquette of this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Id-Grids and Ego-Graphs [five unpublished drawings intended for book] / Drachler, Jacob; Joyce J., 1978

Item

Identifier: CC-15722-16051

Scope and Contents

These laminated drawings were intended but not included in the book of the same title published by Gridgraffiti Press in 1978. They are stored in the same box as the drawings used in the publication. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Id-Grids and Ego-Graphs [maquette] / Drachler, Jacob; Joyce J., 1978

Item

Identifier: CC-15721-16050

Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive also holds the published edition of this maquette. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Id / Vitacchio, Alberto., 2009

Item

Identifier: CC-49711-70764

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Idazkerak / Ferrando, Bartolome., 1991

Item

Identifier: CC-11231-11446

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Idea: Typography Today, New Edition. Special / Helmut Schmid, editor ; Bayer H ; Bill M ; Bosshard H ; Cage J ; Chermayeff I ; VanDoesburg T ; Frutiger A ; Gerstner K ; Hausmann R ; Higgins D ; Knowles A ; Kriwet F ; Kunz W ; LeWitt S ; Lissitzky E ; Lubalin H ; Marinetti FT ; Picabia F ; Schmid H ; Ruder E ; Schmidt J ; Schmidt W ; Schwitters K ; Steinitz K ; Tschichold J ; Zwart P ; Muller-Brockman J ; Fletcher A ; Greiman A ; Johnston S ; McCoy K ; Moholy-Nagy L ; Roth D ; Spencer H., 2003

Item

Identifier: CC-42031-44030

Scope and Contents

This new edition of the book has been slightly expanded. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Ideal Space Relations / Gitin, David., 1976

Item

Identifier: CC-42342-44352

Scope and Contents

Also designated "hey lady supplement" no.23. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Ideogramma Come Poesia / Mirella Bentivoglio, curator ; Carla Vasio, curator ; Ishii Y ; Kajino H ; Kamimura H ; Mukai S ; Niikuni S ; Sunada C ; Takahashi S ; Yamanaka R ; Yoshizawa S., 1984

Item

Identifier: CC-54076-643010

Dates: 1984

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Ideologic Utterances / Finlay, Ian Hamilton ; Mayer HJ ; Kellein T ; Weiermair P ; Simig P ; Bann S., 1991

Item

Identifier: CC-27854-28989

Scope and Contents

At this exhibition, three catalogues were published and enclosed within a single slipcase. The first book that depicts the print, "Marine" on its cover, is apparently a reprinting of a catalogue laid out by Hansjorg Mayer which originated at the Kunsthalle Basel in 1990. It contains an introductory essay by Thomas Kellein. It features reproductions of publications by Finlay's Wild Hawthorn Press as well as photographic views of Stoneypath. The second book that depicts the print, "star steer" on its cover, features Finlay's stone, glass, and neon sculptures. It contains critical essays by Peter Weiermair and Stephen Bann. The third book is a biobibliography in English compiled by Pia Simig. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Idioms of 'Krete: Selections of idiomorphic concrete poetry, 2000

Item

Identifier: CC-46317-49040

Scope and Contents

One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

ieaou / Xisto, Pedro ; deSouza EA., 1966

Item

Identifier: CC-58549-10001773

Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

ieaou / Xisto, Pedro ; deSouza EA., 1966

Item

Identifier: CC-54554-62358

Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books