The concrete poems by Belsey in this book are highly innovative and entertaining. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.

This print is based upon a larger silkscreen multiple on steel done in 1975. It depicts the logo of coca-cola with the word "oca" in its middle; the Italian word "oca" means "silly goose" in English. -- Source of annotation: Marvin or Ruth Sackner.

The first third of the book consists of abstract sculptural works of Gribaudo accompanied by texts by are critics on the facing pages. This is followed by a concrete poetry section curated by Adriano Spatola that has concrete poems on the left facing page and works of Grigaudo on the right facing pages. Some of the poems relate in layout to the sculptural works, others do not. Most poems were composed with typing or letraset. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Roberto Sanesi. This book contains reproductions of six of the 15 drawings by Accame, "Visioni del Particolare," a work held by the Sackner Archive (cited in this book as well). . -- Source of annotation: Marvin or Ruth Sackner.

This is the maquette for a page set in type that is depicted in Chopin's book, "Le Dernier du Monde." -- Source of annotation: Marvin or Ruth Sackner.

Of specific interest in the set is Gordon Matta-Clark's "Post Cuts" postcard - it has been individually cut and sliced by the artist, thus each card is a unique work -- Source of annotation: Marvin or Ruth Sackner.

bill bissett designed the covers and did the drawing. -- Source of annotation: Marvin or Ruth Sackner.

bill bissett designed the covers and did the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book are black and the poems and illustrations are grey, blue, red and turquoise. The hand done typography is highly stylized. -- Source of annotation: Marvin or Ruth Sackner.

The design of the dust jacket and 40 black and white grainy photographic images were provided by Tom Phillips to illustrate Willliams' poems. The book and its typography were designed by Donato Cinicolo 3 who employed a large variety of typefaces including those from a typewriter. Jonathan Williams also contributed notes on the poems as well as an afterword. A slip inserted into the book states that as a result of a disagreement between the publishers and one of the authors over the book design, the publishers decided not to publish it. Before this decision was reached, 120 copies were bound and distributed to friends of the Trigram Press. -- Source of annotation: Marvin or Ruth Sackner.

The design of the dust jacket and 40 black and white grainy photographic images were provided by Tom Phillips to illustrate Willliams' poems. The book and its typography were designed by Donato Cinicolo 3 who employed a large variety of typefaces including those from a typewriter. Jonathan Williams also contributed notes on the poems as well as an afterword. -- Source of annotation: Marvin or Ruth Sackner.

Includes a reprinting of Ulrich's poem rose-eros. -- Source of annotation: Marvin or Ruth Sackner.