This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. It is a sound poem based upon the name of the Russian avant garde poet, Khlebnikov (spelled as Chlebnikov in this poem). The top of the poster is water damaged but the image is intact. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the poster was not depicted in the catalogue and the page reference is to Lopez Vera' biography. The poem is laid out as a tondo with an indecipherible fragmented text. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Bremer's biography. This is the third poster without an image in the catalogue by Bremer and is therefore is designated No.159b. The image depicted in the poster is a dove. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. The shape of the poem depicts the frontal torso og a nude woman. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the author could not be identified. Therefore, the page reference is to page 0. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the poster was not depicted in the catalogue and the page reference is to Bense's biography. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Jandl's biography. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Bremer's biography. The Sackner Archive also holds a signed photograph by Bremer of a similar image, i.e., two military tanks depicted as shaped poems. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Nannucci's biography. In this version of the poem"nero," the layout is a narrow rectangle with the word fragmented into seven columns. -- Source of annotation: Marvin or Ruth Sackner.

This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.