Concrete poetry
Found in 6475 Collections and/or Records:
Le Jardin Japonais Tome 1 / Garnier, Pierre., 1978
Book was dedicated to Seiichi Niikuni, the foremost Japanese concrete poet. It consists of classic, minimalistic, concrete poems -- Source of annotation: Marvin or Ruth Sackner.
Le Jardin Japonais Tome 2 / Garnier, Pierre., 1978
In this second volume of poems, most are minimalistic or done with mathematic and punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.
Le Monde Est Cruel / Chopin, Henri., 1966
This is the working typed copy for a larger version print published in 1982 (held by the Sackner Archive) and for a page which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.
Le Monde/The World / Chopin, Henri., 1982
Le Mot D'Or, 1991
Le Mouvement De L'Espace Typographique / Belleguie, Andre ; Werkman HN ; Zwart P ; Strzeminski W ; Schuitema P ; Berlewi H ; Eggeling V., 1984
This book features 1) Werkman's pages from The Next Call, his typewriter poetry and letter pictures, 2) Piet Zwart's pages from the catalogue N.K.F. and other catalogues and advertisements with constructivistic typography, 3) Wladislaw Strzeminski's letter pictures and alphabet as well as examples of experimental typography from Schuitema, Berlewi, and Eggeling. -- Source of annotation: Marvin or Ruth Sackner.
Le Mur / Gette, Paul-Armand., 1968
La Mur means The Wall in English. -- Source of annotation: Marvin or Ruth Sackner.
le paysage litteraire (160963) / Houedard, Dom Sylvester., 1963
This is a typed poem that resembles a landscape by spelling out the title that translates to "literary passage." -- Source of annotation: Marvin or Ruth Sackner.
Le Petit Peignot: Dictionnaire de Mots-Images, 1996
Peignot provides examples of word-images along with comments in an alphabetic listing. He uses alterations of letter spacing and boldness of the Futura typeface, repetition of letters, anagraphic presentation, variations in the arrangement of letters, mirror imaging, and punctuation marks to enhance and visually define the meaning of words. The poems are related to those found in another book published by Peignot in the same year, Toutes les Pommes se Croquent. Both books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Le Poeme Alphabetique / Chopin, Henri., 1965
This was also published in Chopin's book, "Le Derniere Roman du Monde" and reproduced with minor differenced in Williams' "Antholigy of Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Le pot aux roses [Japanese Still Life] / Ducorroy, Joel., 1996
Le Referenze Bivalenti di Mirella Bentivoglio / Spera, Enzo., 1984
[Le Reve] / Bory, Jean-Francois; Hausmann R., 1975
Le Spatialisme En Chemins, 1990
This is an inclusive historical survey from 1963-1968 of the concrete/spatialistic poetry composed by the authors. -- Source of annotation: Marvin or Ruth Sackner.
[Leaves] / Ocheretyansky, Alex; Gerald Janecek, translator., 1982
Each poem is enclosed within the outline of a found leaf. -- Source of annotation: Marvin or Ruth Sackner.
[Leaves] / Ocheretyansky, Alex; Gerald Janecek, translator., 1982
Each poem is enclosed within the outline of a found leaf. This copy differs from the limited edition of 25 copies in that the folder is photocopied paper rather than papercard collaged. -- Source of annotation: Marvin or Ruth Sackner.
Lecture for Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You" / Sackner, Ruth; Abess M; Sackner MA; Goldsmith K; Traister D; O'Sullivan M; Cheek C; Bernstein C; Joris P; Celan P., 2007
Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.
Lecture for Eyear / Houedard, Dom Sylvester; Gomringer E; DeCampos A; Isou I; Lemaitre M; Garnier P; Chopin H; Heidsieck B; Novak L; Bense M; Tilson Jo; Williams E; Dufrene F., 1964
Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.
L'eeilli (the there) / Arrigo Lora-Totino., 1967
This is also designated No.1 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.
Leiden / Damen, Herman., 1975
The word leiden is typed lower case with a white ribbon giving the appearance of embossed words. The lower case i is added in red. -- Source of annotation: Marvin or Ruth Sackner.