Concrete poetry
Found in 6395 Collections and/or Records:
Let's Think This Over Just One More Time / Zacharia, Murray., 1985
Letter and Image / Massin ; Caroline Hillier, translator ; Vivienne Menkes, translator ; Albert-Birot P ; Apollinaire G ; Aragon L ; Arp J ; Artaud A ; Ball H ; Baudelaire C ; Beckett S ; Belloli C ; Bory JF ; Bowler B ; Brau JL ; Breton A ; Bryen C ; Burroughs WS ; Butor M ; Carmi E ; Carra C ; Carroll L ; Cendrars B ; Chopin H ; Claus CF ; Delaunay S ; Desnos R ; Dienst KP ; Dotremont C ; Duchamp M ; Dufrene F ; Ernst M ; Fludd R ; Garnier I ; Garnier P ; Gomringer E ; Grosz G ; Gysin B ; Hains R ; Hausmann R ; Heartfeld J ; Herbert G ; Herrick R ; Hoffmeister A ; Houedard DS ; Hrabanus Maurus ; Huelsenbeck R ; Iliazd ; Ionesco E ; Isou I ; Janco M ; Jarry A ; Joyce J ; Kriwet F ; Leger F ; Lemaitre M ; Mallarme S ; Ray M ; Marinetti FT ; Mayer H ; Michaux H ; Mon F ; Morgenstern C ; Picabia F ; Queneau R ; Roth D ; Ruhm G ; Russolo L ; Schwitters K ; Soffici A ; Spacagna J ; Steinberg S., 1970
This anthology, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.The English edition of this book has not printed the appendices present in the original French edition. -- Source of annotation: Marvin or Ruth Sackner.
Letter Arts Review. No.1 / Ingmire T ; Kurtz C., 2007
Carl Kurtz received a first prize in the annual calligraphy competition. -- Source of annotation: Marvin or Ruth Sackner.
Letter Cube, 1975
A single large letter is collaged onto one of the six surfaces of the cube, e.g., L,W, E , F, U, and R but they do not form a word in any adjacent sequence. -- Source of annotation: Marvin or Ruth Sackner.
letter from willow / Hasekura, Takako., 1997
The drawing, written in shades of green ink, repeats the text, willow/weep/pillow, in a horizontal, rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.
Letter Picture , 1979 - 2015
Letter Picture-6 / Toshihiko, Shimizu., 1954
The dating of this work as 1954 is based upon its identification among the mass of Japanese ideograms that constitute the image of this drawing. The artist's name, address and title of this piece are rubberstamped on the verso. -- Source of annotation: Marvin or Ruth Sackner.
[Letter Pictures] / Cobbing, Bob., 1975
Letter Piece, 1990
[Letter Poems] / Cobbing, Bob., 1989
Letter Squares / McCarthy, Cavan., 1967
Jim Burns (1936-) is a British poet known for poetry published on small presses. The Letter-Squares were five rubberstamps each containing 100 vowels of typewriter-style type. They were created by Cavan McCarthy for participants in poetry readings to produce their own visual designs. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Bill Keith] / Garnier, Pierre., 1992
Compliments Keith about his book, Sphinx. -- Source of annotation: Marvin or Ruth Sackner.
[Letter To Bob Cobbing] / Jandl, Ernst., 1970
Jandl provides the name of the poem to be read in Amsterdam [refers to sound texts ?concrete poetry visual texts exhibition] along with correct name and dating, i.e., 1957 rather than 1966, of its first publication. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Bob Cobbing] / Mayer, Peter., 1975
[Letter to David W Harris aka David UU 25 ii 68] / Valoch, Jiri; Nichol bp; Malina J., 1968
Valoch indicates that he is sending books to David UU in exchange for Canadian Avant Garde poetry books. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to David W Harris aka David UU 31 vii 71] / Valoch, Jiri; Nichol bp., 1971
Valoch mentions materials that he is sending for his exhibition, 'microproseplus' and method of payment, i.e., prefers books to money. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to David W. Harris] / Bory, Jean-Francois; Harris DW., 1966
Letter concerns D. Harris' article about A. Artaud for "L'Herne," and provides Harris with many names and addresses of concrete and visual poets from Europe, Brazil and Japan for proposed Canadian exhibit. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to David W. Harris] / Bory, Jean-Francois; Harris DW., 1966
Letter concerns text by D. Harris for gallery exhibition. Bory writes, "Please write me in ENGLISH, if possible and not in AMERICAN because I do not understand all: ei for I, u for you, etc..." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to David W. Harris] / Bory, Jean-Francois; Harris DW; Artaud A., 1967
Letter concerns concrete poetry exhibition at St. Peters College, Oxford, England, and reprint of article on A. Artaud for the French review "L'Herne." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to David W. Harris] / Bory, Jean-Francois; Harris DW; levy da ; Artaud A; cummings ee; Blaine J; Sohm H; Nichol bp., 1967
Letter concerns bp Nichol's "Gronk," pornography case against d.a. levy, and D. Harris' article on Ataud for "L'Herne." Bory asks Harris to send a copy of "Gronk" to H. Sohm. -- Source of annotation: Marvin or Ruth Sackner.