Concrete poetry
Found in 6423 Collections and/or Records:
Adventurous Provincial Art Centres / Lucie-Smith, Edward; Furnival J; Houedard DS; Finlay IH., 1965
This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[AE...] / Furnival, John., 1966
Turquoise colored letters are overprinted in a cross-like manner. -- Source of annotation: Marvin or Ruth Sackner.
Aethel / Mancini, Donato., 2007
Affairs Pataphysica / Anonymous., 1987
Affairs Pataphysica / Anonymous., 1987
Affiche: Apresfiche. No.23/Jul / Max Bense., 1961
This is an issue printed after the regular run of the periodical that ended with No.22. -- Source of annotation: Marvin or Ruth Sackner.
African Fiesta and Malindi Concrete Poems / Williams, Emmett., 1991
Afterrimages / Retallack, Joan., 1995
Afterwords / Lopes, Damian, editor; UU D; Evason G; curry jw., 1991
[AG] / Beaulieu, Derek., 2010
This print was made from a letraset collage. -- Source of annotation: Marvin or Ruth Sackner.
[AG - Small Version] / Beaulieu, Derek., 2010
This print was made from a letraset collage. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia 2: numero exposition / Gerz, Jochen, editor ; Bory, Jean-Francois, editor ; Harris DW ; Hall OBS ; Finlay IH ; Gerz J ; Furnival J ; Clay M ; Houedard DS ; Garnier P ; Nutbeem A ; Bory JF ; Bremer C ; Arias-Misson A ; Vigo EA ; Mayer HJ ; Niikuni S ; Spatola A ; DellaCasa G ; Blaine J ; Ulrichs T ; Nichol bp ; Carrega U ; Vicinelli P ; Shohachiro T ; Cinicolo-3 D ; Bevan A ; Blaine J., 1970
Note that "Tonto or" No.7 pamphlet that was included in this collection is stored in a portfolio box with other issues of "Tonto or." This collection also includes two Standing Poems by Ian Hamilton Finlay and Opening Numbers 2 & 4 edited by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia. No.11-12 / Jochen Gerz, Jean-Francois Bory, editors ; Cobbing B ; Gerz J ; Bory JF ; Sarenco ; Ben ; Kostelanetz R ; Garnier P ; Niikuni S ; Gross R ; Padin C ; Kitasono K ; Blaine J ; Arias-Misson A ; Furnival J ; DeVree P ; Carrega U ; Moineau JC ; Sitta C ; Vaccari F ; Lane B ; Wildman E ; Perfetti M ; Toshihiko S., 1968
Typewriter poems are printed on two of the translucent paper pages. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: Roman. No.19 / Jean-Claude Moineau., 1969
The cards with their borders cut-out in different placements and perforations along a vertical center line allow incorporation of new words from the card immediately underlying the cut-outs & perforations into the text above it. The sorting of the cards is random. The text is printed in red or black and the calligraphy has varied sizes. -- Source of annotation: Marvin or Ruth Sackner.
Aggie Weston's: Light. No.21/Win / Robert Lax., 1984
Aggie Weston's: Stumbling on Lemons. No.5/Fall / Thomas A. Clark., 1974
Aggie Weston's: View of Stonypath. No.2/Spr / Ian Hamilton Finlay ; Mills S., 1973
Issue contains photographs taken by Stuart Mills of Stonypath, the home of Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Agit Poem #2 - The Demonstration / Dixon, Bob., 1971
Poem depicts a political demonstration against the establishment. -- Source of annotation: Marvin or Ruth Sackner.
AH: Documentatiemap AH 1-8. No.9A / Herman Damen, editor ; Damen H., 1970
This package consists of mimeographed sheets from AH No.1-8, which were displayed at an exhibition of "Concrete Poesie" held at the Stedeljk Museum, Amsterdam on June 6, 1970. The exhibition catalogue of this show, "sound texts ? concrete poetry visual texts" is held by the Sackner Archive as are most of the original silkscreen paper printed poems mounted on perspex that were displayed at this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
...AH HHHHHhHhhhhhHhhhhhaha...: A Sequence of Visual Poems / Garvin, Dennis., 1976
Subtitled "A Sequence of 30 Visual Poems." -- Source of annotation: Marvin or Ruth Sackner.