Concrete poetry
Found in 6475 Collections and/or Records:
Marriage / Solt, Mary Ellen., 1975
Solt introduces the two concrete poems by stating that the code poems are derived from the universal language of signs and symbols that have been used from ancient times to the present as taken from the subjects of the alphabet, astrology, astronomy, botany, chemistry, commerce, engineering, mathematics, medicine, music, physics, punctuation, runes, zoology, etc. She provides a key to the ideograms that render the rebus to be deciphered. -- Source of annotation: Marvin or Ruth Sackner.
Marriage / Solt, Mary Ellen., 1975
Solt introduces the two concrete poems by stating that the code poems are derived from the universal language of signs and symbols that have been used from ancient times to the present as taken from the subjects of the alphabet, astrology, astronomy, botany, chemistry, commerce, engineering, mathematics, medicine, music, physics, punctuation, runes, zoology, etc. She provides a key to the ideograms that render the rebus to be deciphered. -- Source of annotation: Marvin or Ruth Sackner.
Marsupialamour Mam / De Campos, Haroldo., 1956
Mart-Communica: L'Archivo di Nuova Scrittura. No.2 / DellaGrazia P ; Higgins D., 1999
Marvo Movies Matter / Cobbing, Bob., 1968
The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.
Mary Ellen Solt, 86, Poet and Words and Shapes / Fox, Margalit; Carroll L., 2007
Mary Stuart's Ravishment Descending Time / Peacher, Georgiana., 1976
This is the text for the unnumbered, silkscreened, unbound pages of the Artist Book of the same title, which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mass Piece / Huth, Geof., 1986
Masson's and Mallarme's Un Coup de des: An Esthetic Comparison / Hubert, Renee ; Hubert, Judd D.., 1990
The Mallarme versions of the poem and the Masson one mentioned in this article are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mathemaku 1-5 / Grumman, Bob., 1992
Mathemaku for Beethoven / Grumman, Bob., 1999
The word "understanding" is typed repeatedly in four variations on a sky blue background. The top of the pages contain a blue colored rectangle, a division mark, and the words, "the sky," The fourth sheet also says "explainability" and contains a line of music and minimal poetry. -- Source of annotation: Marvin or Ruth Sackner.
Mathemaku for Beethoven: the sky / Grumman, Bob., 2000
Mathemaku for K.S. Ernst, 2001
Grumman gave this collage to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.
Mathemaku for Mike Basinski: pfom/sancturarey / Grumman, Bob., 2000
[Matrix] / Huth, Geof., 1987
Matrix / Schroader, Jerry., 1989
Matrix / Schroeder, Gerald., 1989
Schroeder produced dense typewriter poems by running the words together. In this publication, the author uses the surname Jerry rather than Gerald. -- Source of annotation: Marvin or Ruth Sackner.
Matsushima Ya: 36 Views of a Poem by Basho for Kieko and Morgan Gibson / Young, Karl; Basho; Sackner MA; Sackner RK., 1988
This work is a Young's modification of a Haiku by Basho that can be transilliterated: Matsushima Ya - A A Matshusima Ya - Matsushima Ya. Matshusima is a small archipelago in northern Japan, Ya is one of the abstract, hieretic words used in Haiku according to complex rules, and A (pronounced Ah) is an aparently universal, spontaneous exclamation used as commonly in contemporary America as it was in 17th century Japan. -- Source of annotation: Marvin or Ruth Sackner.