Concrete poetry
Found in 6395 Collections and/or Records:
Metropolis 16-29 / Fitterman, Robert ; Goldsmith K ; Werschler-Henry D., 2002
Fitterman documents the sources for his "appropriated poems" at the end of the book. Kenneth Goldsmith provides a brief critique of this book on the back cover. Darren Wershler-Henry edited and designed the book. -- Source of annotation: Marvin or Ruth Sackner.
Mez / Daniels, David., 2004
There are several large shaped poems within this work, e.g., a fish, vase, and apple. The text is bawdy, e.g., sheep's cunt is a frequent phrase. -- Source of annotation: Marvin or Ruth Sackner.
Mi 2 and TA / Joelle Leung., 2009
The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.
Mi 2 and TA / Joelle Leung., 2009
The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.
Miami Beach More Than a Million Poems, 1986
This sculpture contains forty words hand printed in ink on the sides of ten wooden square blocks. Each block, that can rotate on a wooden dowel through hand movement, measures 11.4 x 11.4 x 2 cm. The words selected by Phillips for each block are: Modernism, Miami Beach, Moonlight, Memory - Inspires, Indulges, Identities, Ignores - Ambiguous, Amorous, Artistic, Abstract - Madness, Mythology, Miracles, Moments - Idiotically, Inwardly, Ineptly, Intensely - Brainless, Backward, Bohemian, Beautiful - Egoists, Emotions, Erections, Eccentrics - Always, Artfully, Already, Absurdly - Confuse, Clarify, Complete, Celebrate - History, Heartache, Happiness, Hysteria. The first letter of each block vertically spells Miami Beach.Illustrated in "Works and Text 1992 " on page 110. -- Source of annotation: Marvin or Ruth Sackner.
Michael Bakoenine, 1981
Mieux Que Picabia, 1971
Migrants: A Collection of Neo-Dada, Surreal, Visual, Fluxus & Concrete Prose & Poetry / Maggs Brothers ; Butler B ; Bann S ; Barnett A ; Bielski A ; bissett b ; Bory JF ; Breakwell I ; Carmi E ; Cheek C ; Clark TA ; Claus CF ; Cobbing B ; Coleman L ; Corner P ; Cutts S ; Dowden G ; Finch P ; Finlay IH ; Duncalf S ; Furnival J ; Gappmayr H ; Gibbs M ; Gomringer E ; Giorno J ; Groh K ; Griffiths B ; Hapkemeyer A ; Higgins D ; Hollo A ; Horovitz M ; Houedard DS ; Instone J ; Jackson S ; Jandl E ; Jenkins P ; Kostelanetz R ; Lax R ; Lemaitre M ; Lloyd A ; Lucie-Smith E ; Maciunas G ; McCarthy U ; Mills N ; Mills S ; Morgan E ; Nettelbeck FA ; Nuttall J ; Parfitt W ; Radin B ; Roth D ; Ruhm G ; Spector B ; Torok K ; Trevor S ; Turnbull G ; Tremlett D ; Willats S ; Williams J ; Williams E ; Winkfield T., 2004
This catalogue lists 341 items in a collection of mostly ordinary edition books and periodicals priced at approximately $8,000. There was heavy respresentation of Cobbing, Cutts, and Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Mikrogramy / Hirsal, Josef; Grogerova, Bohumila., 1962
Miles e non piu Miles by Luigi Tola / Miles ; Tola L ; Carrega U ; Isgro E ; Rotella M., 1989
The analysis of Miles poetic works was written by Luigi Tola. Several poets and critics wrote testimonals at the end of this book, some reproduced in facsimile. -- Source of annotation: Marvin or Ruth Sackner.
Milkweed: A Gathering of Haiku / Hryciuk, Marshall, editor ; curry jw ; Duggan MB ; Gorman L ; Hryciuk M ; Jankola B ; Amann E ; Basmajian S ; DiMichele B ; Fraticelli M ; Kostelanetz R ; Roseliep R ; Smith S ; Swede G., 1987
This anthology includes examples of the traditional Japanese haiku poetry form, e.g., three unrhymed lines if five, seven, and three syllables, respectively. In addition, this definition has been broadened to consider unrhymed minimalist, concrete, and visual poems ouside of the traditional framework. -- Source of annotation: Marvin or Ruth Sackner.
Mini-Posters / Houedard, Dom Sylvester., 1968
Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.
Mini-Posters / Houedard, Dom Sylvester., 1968
Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.
Mini-Posters / Houedard, Dom Sylvester., 1968
Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.
Minimal Fictions, 1994
Although the works in this book are designated "Minimal Fictions" by Kostrlanetz, the varied typefaces and experimental page layouts do not distinctly differentiate them from classifying them concrete poems. -- Source of annotation: Marvin or Ruth Sackner.
Minimal Poems, 2008
Minimal Poetry: Six Sequences, 1971
Mirella Bentivoglio, una Poetica del Significante / Rescio, Bruno., 1979
This book is also designated Documento 6. It is stored in the box with Bentivoglio's publications. "Forma lenta" (1970) that is depicted in the book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mirror Poem: Apollinaire / Edmonds, Tom., 1968
The original work constructed in glass, letraset steel and mirror, reflects Apollinaire's calligram "Dans ce miroir." -- Source of annotation: Marvin or Ruth Sackner.
Mirror Text, 1976
Designated Card Series No.19. -- Source of annotation: Marvin or Ruth Sackner.