Concrete poetry
Found in 6395 Collections and/or Records:
Olive Dachsund: First: Nebulum is no more Alack. No.1/Sep / Glyn Pursglove, editor ; Ruhm G ; McNamara T ; LeSidaner JM ; Valoch J ; Novak L ; Hausmann R ; Denise L., 1966
This is the successor to Nebulum No.1 which discontinued publication. Nebulum, Olive Dachsund, and Her(M)etic Press are stored in the same portfolio box and are filed under Olive Dachsund. -- Source of annotation: Marvin or Ruth Sackner.
Ollie Ollie Oxen Free / White, Derek., 2003
Olsen's Fisherman's Nautical Alphabet / Finlay, Ian Hamilton., 1994
This depicts an alphabetical listing of two and three letter identification codes for the names of Scottish fishing vessels. -- Source of annotation: Marvin or Ruth Sackner.
Olympic Cycle / Riddell, Alan., 1969
omar rayo / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. Omar Rayo Reyes (20 January 1928 "“ 7 June 2010) was a renowned Colombian painter, sculptor, caricaturist and plastic artist. He won the 1970 Salón de Artistas Colombianos. Rayo worked with abstract geometry primarily employing black, white, red and yellow. He was part of the Op Art movement. Rayo's work shows that geometric art is as much a part of the past as it is of the future. He used traces of the past to discover new ways to present visual and geometric sketches. One of his most celebrated exhibitions was carried out in the National Room of the Museum of the Palace of fine arts of Mexico, titled "20 years, 100 works: Omar Rayo." -- Source of annotation: Marvin or Ruth Sackner.
On a Nuclear Day, 1970
On bissett / Necakov, Lillian; Shedden, Jim., 1982
[On-line work on Jake Berry's 9th St. Laboratories posted June 22, 2007] / Topel, Andrew ; Sackner MA., 2007
On the back cover, Andrew Topel indicates that this book was instigated by a request from Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
On the Concrete Poetry of Bob Cobbing / Trevor, Stan ; Cobbing B., 1992
The cover was designed by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
On the Cusp / Clementson, Kath., 1974
This book deals with Lesbian love. -- Source of annotation: Marvin or Ruth Sackner.
On The Earth's Surface / Selenitsch, Alex., 1979
The calligraphic poem "oasis" depicted in the accompanying image reads outward from the middle 'o.' -- Source of annotation: Marvin or Ruth Sackner.
Once Again , 1968
First printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.
Once Again / Bory, Jean-Francois, editor ; Lee Hildreth, translator ; Houedard DS ; Finlay IH ; Higgins D ; Williams J ; Ulrichs T ; levy da ; Kriwet F ; Kostelanetz R ; Johnson R ; Blaine J ; Arias-Misson A ; Takahashi S ; Furnival J ; Cox K ; bissett b ; Depew W ; Solt ME ; Cobbing B ; Vigo EA ; Burda V ; Kolar J ; Valoch J ; Bory JF ; Garnier P ; Gette PA ; Moineau JC ; Gerz J ; Mayer HJ ; Lucie-Smith E ; Riley B ; Bertini G ; DellaCasa G ; Nannucci M ; Parmiggiani C ; Pignotti L ; Spatola A ; Spatola M ; Verdi F ; Vicinelli P ; Kitasono K ; Ito M ; Niikuni S ; Toshihiko S ; Berner J ; Fernbach-Flarscheim C ; Friedman K ; Johnson R ; Knowles A ; Mustill N ; Saroyan A., 1968
Second printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.
Once / Depew, Wally., 1971
Once I Was a Square: A visuak fable for children, adults & squares / Aldridge, Adele., 1999
The book is subtitled "A Visual Fable for Children, Adults & Squares." The story resembles Abbott's "Flatland," with a circle representing the female and a square the male. -- Source of annotation: Marvin or Ruth Sackner.
one cent: A Mo(nu)ment For bp Nichol. No.214/Nov / jw curry., 1988
one cent: A Mo(nu)ment For bp Nichol. No.214/Nov / jw curry., 1988
This version of the poem is printed on heavy paper. -- Source of annotation: Marvin or Ruth Sackner.
one cent: abyss of eye/bus. No.203/Apr / Joe., 1988
one cent: Alice in Wonderland. No.385/Apr / Sam Loyd., 2008
one cent: At Least 2 Cents Worth. No.250 / jw curry., 1990
In this newsletter, Curry quotes part of a letter written to him by Marvin Sackner describing a conversation with an art historian regarding the introduction to the exhibition catalog "The Altered Page." "After reading the first sentance, she smiled & said such an essay could never be written by a professional art critic or historian - they would never begin an essay with a statement of purpose (like a scientist) but would lay on some bullshit for a few pages before reaching a point." -- Source of annotation: Marvin or Ruth Sackner.