Concrete poetry
Found in 6395 Collections and/or Records:
Open This.. Now / Walker, Scott., 1988
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Finally A Valentine. No.1/Jan / Louis Zukovsky ; Edward Wright ; John Furnival., 1965
Zukovsky's poem reads, "There is a heart - has no complaint - better a-part - than faint - so the faintest - part of it - has no complaint - a part." Furnival illustrated it with concrete poems and Edward Wright did the typography. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1969
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1965
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1965
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.
Openings: Announcement Prospectus. / John Furnival, Dom Sylvester Houedard, editors., 1964
John Furnival and dom Silvester Houedard, the editors define this venture as follows. "typography - openings are constituted by poet/ typographer/ artist - openings are active poetry - openings make everybody make poetry - poetry means making poesis - a typographer thinks that the poem is the first of of the first things first." graphics - we aim to produce a series which is not a complete integration of graphics and text, i.e. not an illustrated poem or a captioned drawing but a picture/poem - in fact, we always start out with, and work from, the poem - the difficulty lies in maintaining the balance between text and drawing." -- Source of annotation: Marvin or Ruth Sackner.
Openings: Announcement Prospectus (Proof Copy). / John Furnival, Dom Sylvester Houedard, editors., 1964
The proof copy verso lacks information on poetry, graphics, typography, and printing contacts as on the distributed copy. On the verso of this pamphlet, Furnival writes, "Rough proof of propectus for OPENINGS PRESS, founded in 1964 by John Furnival + dom Silvester Houedard." They define this venture as follows. "typography - openings are constituted by poet/ typographer/ artist - openings are active poetry - openings make everybody make poetry - poetry means making poesis - a typographer thinks that the poem is the first of of the first things first." graphics - we aim to produce a series which is not a complete integration of graphics and text, i.e. not an illustrated poem or a captioned drawing but a picture/poem - in fact, we always start out with, and work from, the poem - the difficulty lies in maintaining the balance between text and drawing." -- Source of annotation: Marvin or Ruth Sackner.
Openings Press Card Series: Bestiary. No.6 / John Furnival., 1969
This card is depicted in Furnival's "Lost for Words" (2011) page 15. -- Source of annotation: Marvin or Ruth Sackner.
Openings Press Card Series: Bestiary. No.6 / John Furnival., 1969
This card is depicted in Furnival's "Lost for Words" (2011) page 15. -- Source of annotation: Marvin or Ruth Sackner.