Concrete poetry
Found in 6475 Collections and/or Records:
Op And Kinkon Poems / Houedard, Dom Sylvester., 1965
Also designated Writers Forum Poets number fourteen. This is the first edition. Contains reproductions of several typewriter poems of which the originals are held by the Sackner Archive, e.g., Sun Cloud Rain Land Fish (240663). The typewriter poem whose image accompanies this record is highly atypical of Houedard's oeuvre. -- Source of annotation: Marvin or Ruth Sackner.
op doppo pop (051164) / Houedard, Dom Sylvester., 1964
Op Kinkon & Eyear / Fricker, Frank, editor ; Herbert G ; Carroll L ; Mallarme S ; Gomringer E ; Houedard DS ; Bevan A ; Sampson J ; DeCampos A ; Garnier P ; Roth D ; Finlay IH ; Cobbing B ; Apollinaire G., 1966
Frank Fricker provides an historical introduction of concrete poetry, optical, kinetic and phonic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Open and Closed Book, The: Contemporary Book Arts / Quentin Blake, curator ; Adler J ; Chopin H ; Christie J ; Cobbing B ; Crozier R ; Cutts S ; Finlay IH ; Furnival J ; Gibbs M ; Heidsieck B ; Houedard DS ; King R ; Mayer P ; Mon F ; Phillips T ; Tilson Jo ; Torok K ; Williams E ; Williams J ; Claire P ; Antonucci E ; d'Arbeloff N ; Bal E ; Ballard J ; Bann S ; Beckett S ; Benes BL ; Benveniste A ; Benveniste P ; Boyle M ; Brattinga P ; Burroughs WS ; Cage J ; Campbell K ; Carroll L ; Castro L ; Chopin J ; Clark L ; Clark TA ; Corso G ; Creeley R ; Crozier R ; Degottex J ; Duncalf S ; Elmslie K ; Erro ; Fidler M ; Fisher A ; Fisher R ; Furnival A ; Gardner I ; Gilbert & George ; Gerz J ; Gill E ; Greenham L ; Griffiths B ; Schraenen G ; Haacke H ; Hamilton R ; Mayer HJ ; Harvey M ; Hausmann R ; Hockney D ; Hollo A ; Horovitz M ; Howe N ; Johns J ; Joyce J ; Kindersley D ; Kitaj R ; Laforgue J ; Latham J ; Lax R ; Logue C ; Long R ; Lucie-Smith E ; MacLow J ; Martin K ; Merton T ; Mon F ; Moore AD ; Morgan E ; Morgenstern C ; Novak L ; Perse SJ ; Piech PP ; Phillips J ; Radin B ; Raworth T ; Riddell A ; Rimbaud A ; Roberts K ; Roth D ; Rothenberg J ; Sackett C ; Self C ; Seuphor M ; Smith P ; Spencer H ; Summers R ; Themerson F ; Themerson S ; Tremlett D ; Tyson I ; Ungerer T ; Vonna-Mitchell E ; Waldrop K ; Weaver M ; Weiner L ; White K ; Willats S ; Winkfield T ; Yevtushenko Y ; Zurbrugg N., 1979
The exhibition was curated by R C Kenedy. Tom Phillips designed the cover of this catalogue of British book arts. Sections are devoted to private presses, fine binding, typography and concrete poetry. Particular mention is paid to John Furnival "who paints builds whole landscapes from semantic elements" and Ian Hamilton Finlay "who creates poetry through providing words with a rigorously controlled and potently significant environment." Page 230 depicts John Christie's Word Clock III (1978) that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Open Eye Open Heart / Ferlinghetti, Lawrence ; Patchen K ; Pound E., 1973
Open Folios / Cobbing, Bob., 1993
Includes several texts from 1965 to 1968 that have been reworked and new texts from 1972 to 1993 that were not previously published. -- Source of annotation: Marvin or Ruth Sackner.
Open This.. Now / Walker, Scott., 1988
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Finally A Valentine. No.1/Jan / Louis Zukovsky ; Edward Wright ; John Furnival., 1965
Zukovsky's poem reads, "There is a heart - has no complaint - better a-part - than faint - so the faintest - part of it - has no complaint - a part." Furnival illustrated it with concrete poems and Edward Wright did the typography. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Openingnisolc [Opening Closing]. No.8 / Hansjorg Mayer., 1966
On the recto side of this broadside, the words 'opening' and 'closing' are printed in normal fashion and in mirror image. On the verso side, these words are printed over each other in a packed grid. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1969
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1965
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.
Opening: Standing Poem 4: Pole/Night. No.3 / Ian Hamilton Finlay ; John Furnival., 1965
The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.