Concrete poetry
Found in 6475 Collections and/or Records:
Ou ce Ou est a tour ceux qui ne sont pas istes, 1968
OU KO NE / Verey, Charles., 1970
Oui / Guenoun, Joel., 2000
Oui X / Gerz, Jochen., 1967
The image consists of two rows of capital X's interrupted by the word OUI. This is among the earliest drawings in concrete poetry made by Gerz. It is depicted as No.466 in his Catalogue Raisonnne Volume III. It should be noted that Gerz designated this work as an example of visual rather than concrete poetry despite the absence of an image. -- Source of annotation: Marvin or Ruth Sackner.
$oul, 1971
Oumbigo Ambiguo, 1985
Our Best Wishes for a Merry Christmas! / Nichol, Eleanor; Nichol, Sarah; Duncan R., 1998
The poem was composed by bp Nichol and first appeared in West Coast Line No.25, 1988. -- Source of annotation: Marvin or Ruth Sackner.
Our Hearts Are Filled with Joy / Karsch, Benjamin; Sharabi, Liat., 1997
This is an invitation to the engagement festivities in Tucson and the wedding in Jerusalem of Benjamin, nephew of the Sackners to Liat. The calligraphic decoration is shaped like a Chupah, under which the traditional Jewish wedding ceremony takes place. The calligrapher is Denni Ann Gershaw. -- Source of annotation: Marvin or Ruth Sackner.
Out of WordS / Endwar ; Aylward D ; Williams E ; Ulrichs T., 2003
Endwar titles a poem from a word(s) and fragments it(them) into clusters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. In the folded sheet, endwar explains his poetry as subverse poetry, a type of subtractive, permutational or anagrammatic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Outlaw of the Lowest Planet, 1946
This collection of previously published Patchen poems selected by David Gascoyne appeared only in an English edition. It includes a single concrete poem reprinted from the book, "The Dark Kingdom." -- Source of annotation: Marvin or Ruth Sackner.
Outside I'm Lost in Snow / Gorman, Larry., 1995
Outside Inside / Tipping, Richard., 1981
Ouviver a Musica / Correa de Oliveira, Willy., 1968
Correa de Oliveira's letter to Kenelm Cox explains the performance of his experimental music score, "Ouviver a Musica." Its name, given by Decio Pignatari, means to listen (ouvir), to live (viver), to see (ver). -- Source of annotation: Marvin or Ruth Sackner.
Over the Hill (But Ready to Roll), 1990
The title of this piece is printed on each sheet of toilet tissue. -- Source of annotation: Marvin or Ruth Sackner.
[overlapping filled typed squares] (170664) / Houedard, Dom Sylvester., 1964
In this poem, all the squares are typed, not collaged. -- Source of annotation: Marvin or Ruth Sackner.
[Overtyped Letters] / Sharkey, John J.., 1970
Ovi / Sharoff, Shirley; Calvino, Italio; Fusco M., 1988
This deluxe edition of the book has four additional signed gravures added to the four engravings in the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.
Ovum 10: Exposicion Exhaustiva de la Nueva Poesia / Schauffelin KB ; Claus CF ; Gerz J ; Ulrichs T ; Arias-Misson A ; DeCampos A ; DeCampos H ; Nichol bp ; Deisler G ; Higgins D ; Jacoby R ; Solt ME ; Williams E ; Chopin H ; Cobbing B ; Finlay IH ; Phillips T ; Houedard DS ; Bremer C ; Cremer S ; Groh K ; Klophaus A ; Kriwet F ; Mayer HJ ; Mohr M ; Mon F ; Schmidt SJ ; Schmidt W ; Weissner C ; Ginzburg C ; Pazos L ; Vigo EA ; Gappmayr H ; Jandl E ; Lichtenauer F ; DeVree P ; LeSidaner JM ; VanEssche L ; Vroom I ; Azeredo R ; Branco A ; Carvalho A ; Cirne M ; DeSa A ; Filho P ; Grunewald JL ; Pinto J ; Mund Hjr ; Pignatari D ; Sa N ; Ribeiro P ; McCaffery S ; Gilbert G ; Suknaski A ; Sward R ; Adamus K ; Grogerova B ; Hirsal J ; Honys J ; Wojnar J ; Novak L ; Nebesky L ; Valoch J ; Pedersen K ; Boso F ; Caceres JA ; Iglesias del Marquet J ; Millan F ; Pino F ; Uribe E ; Viladot G ; Atchley D ; Hompson DD ; Fernbach-Flarscheim C ; Fox H ; Kaprow A ; Indiana R ; MacLow J ; Ockerse T ; Targowski H ; Phillips MJ ; Raman E ; Ruscha E ; Stern G ; Mallander J ; Blaine J ; Boltanski C ; Bory JF ; Dufrene F ; Garnier I ; Garnier P ; Gette PA ; Hausmann R ; Heidsieck B ; Janicot F ; Lepage J ; Moineau JC ; Petronio A ; Tobas C ; Ben ; Wolman G ; Bann S ; Breakwell I ; Cameron C ; Draper R ; Finch P ; Furnival J ; Gibbs M ; Jenkins P ; Kilburn D ; McCarthy C ; Mayor D ; Parfitt W ; Sandoe M ; Clavin H ; Damen H ; DeRook GJ ; DeVries H ; Joseph P ; Nucha N ; VanDerLinde F ; Urban J ; Roth D ; Accame V ; Alloatti A ; Beltrametti F ; Bentivoglio M ; Belloli C ; Carrega U ; DellaCasa G ; Diacono M ; Ferro L ; Gut E ; Isgro E ; Landi L ; LaRocca K ; Locatelli U ; Lora-Totino A ; Martini S ; Miccini E ; Nannucci M ; Niccolai G ; Oberto A ; Oberto M ; Oliva AB ; Ori L ; Osti M ; Parmiggiani C ; Pedrotti E ; Piemontese A ; Pignotti L ; Persico M ; Ramous M ; Sarenco ; Scalise G ; Spatola A ; Spatola M ; Sitta C ; Tiziano F ; Vaccari F ; Verdi F ; Vicinelli P ; Villa E ; Xerra W ; Kitasono K ; Motoyuki I ; Niikuni S ; Takahashi S ; Toshihiko S ; Ehrenberg F ; Klintberg B ; Bodin LG ; Hanson S ; Lille C ; Hodell A ; Johnson B ; Laaban I ; Gomringer E ; Zurbrugg N ; Padin C ; Todorovic M ; Zagoricnik C., 1972
The cover depicts a letter picture by Clemente Padin. The contributors to this exhibition constituted all the major artists/poets working contemporaneously in concrete and visual poetry. Stored in Ovum 10 box. -- Source of annotation: Marvin or Ruth Sackner.
OW / Cobbing, Bob., 1970
Cobbing called the photocopied print process "monoduplicator prints." -- Source of annotation: Marvin or Ruth Sackner.