Also designated la puca del petroli No.6. -- Source of annotation: Marvin or Ruth Sackner.

This book is a compendium of Blaine's concrete, semiotic and picture poems printed in large format typefaces. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a detail of one of Bory's typewriter poem objects painted with gold paint. -- Source of annotation: Marvin or Ruth Sackner.

Grumman writes in the introduction to this small volume of poetry that he wrote the verses in 1966 when he was twenty five and Cummings work was all that he knew of "visual poetry." The Sackner Archive also holds the 1966 self-published edition. -- Source of annotation: Marvin or Ruth Sackner.

This volume is the first, self published book by Robert Jeremy Grumman aka Bob Grumman. The Sackner Archive holds the Runaway Spoon Press edition reprinted in slightly smaller format in 1997. -- Source of annotation: Marvin or Ruth Sackner.

This is the third edition of this collection of pop-ups first published in 1969; the second edition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book also called Objetos first published in 1969 -- Source of annotation: Marvin or Ruth Sackner.

This is one of 25 signed and numbered copies. The remaining 25 copies in the run were unsigned. In the introduction, Helmes writes "In the late 70's I met Ruth and Marvin Sackner and Richard Kostelanetz. They, along with Karl Kempton and Kay Arndt, have been critical supporters of my work for which I am continually grateful." This book consists of a varied selection of Helmes' poems, reproduced from rubberstamping, line stencilling and letraset collaging. -- Source of annotation: Marvin or Ruth Sackner.

Williams types a grid of $ signs to represent the work of Margaret Keane as a political swipe at her work. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Stooge 10. It was written in 1961 with several poems added in 1968. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces Bob Cobbing's "15 Shakespeare Haku." The back cover lists a Declaration of Purpose for the Globe Playhouse Trust. One of its stated purposes was to construct a third Globe Playhouse on or near the original site. This purpose came to fruition in 1997, some 25 years after the printing of this book. Tom Phillips did the stage designs for the opening show. This book was also published as a 2nd edition in 1973 and five further editions. . -- Source of annotation: Marvin or Ruth Sackner.

This represents a posthumous homage to Dom Sylvester Houedard from John Furnival who reprinted the poet's most famous poems and included a photographic silkscreened portrait as well as two photographs of the poet. Contains a tribute page by Marina Warner which she begins with "A letter from dom Sylvester Houedard was an archive (though always succinct), a poem (of an unusual kind), and, sometimes, a personal message of touching kindness..." Marina Warner provided an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The cover design and illustrations within the book were done by Pip Benveniste. This is the first book of verse by Benveniste, the poet and publisher. -- Source of annotation: Marvin or Ruth Sackner.

This trade anthology of Finlay's concrete poetry is printed with several different inks on paper with several different colors. -- Source of annotation: Marvin or Ruth Sackner.

The recording was made by Caetano Veloso who provides a musical interpretation of two De Campos poems. viz., dias dias dias from Poetamenos and o pulsar. The book was designed by Julio Plaza. The first concrete poems appeared as colored texts in 1953. -- Source of annotation: Marvin or Ruth Sackner.