Concrete poetry
Found in 6475 Collections and/or Records:
poem in four squares (further apart) / Green, Theo., 1983
Poem Machine "E=MC3" / Lijn, Liliane., 1968
Poem Machines 1962-1968 / Lijn, Liliane., 1993
Poem Machines 1962-1968 / Lijn, Liliane ; VanDerWateren J., 1993
Poem Machines and Other Book Works / Lijn, Liliane., 1998
The brochure is the exhibition catalogue. The article is a reprint from the journal Leonardo by Liliane Lijn entitled "Body and Soul: Interactions between the Material and the Immaterial in Sculpture." -- Source of annotation: Marvin or Ruth Sackner.
Poem-Painting Buttons Signs Flags 1966-1977 / Kriwet, Ferdinand., 1967
According to Barbara Moore, there were two versions of this book, one with gallery information that served as an exhibition catalogue and the other without such information as in this copy. -- Source of annotation: Marvin or Ruth Sackner.
Poem Poet Poetry / Norman, Bonnie Thompson., 1989
Poem / Print / Kriwet, Ferdinand., 1964
Poem / Print / Kriwet, Ferdinand., 1964
This copy differs from the other one in the Archive in that it is dry mounted to white cardboard. -- Source of annotation: Marvin or Ruth Sackner.
POEM - TAKISTRUCT (or BIRHOPAL TAKISTRUCT (281164) & POEM - THE A & H DE CAMPOS BROS (061264) / Houedard, Dom Sylvester; Takis; DeCampos A; DeCampos H., 1964
Houedard has typed two poems a week apart on the same page. He utilized a complex mathematical procedure to arrive at this performance poetry presentation, much like the workings of Oulipo. -- Source of annotation: Marvin or Ruth Sackner.
poema hecho para omar rayo / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. Omar Rayo Reyes (20 January 1928 "“ 7 June 2010) was a renowned Colombian painter, sculptor, caricaturist and plastic artist. He won the 1970 Salón de Artistas Colombianos. Rayo worked with abstract geometry primarily employing black, white, red and yellow. He was part of the Op Art movement. Rayo's work shows that geometric art is as much a part of the past as it is of the future. He used traces of the past to discover new ways to present visual and geometric sketches. One of his most celebrated exhibitions was carried out in the National Room of the Museum of the Palace of fine arts of Mexico, titled "20 years, 100 works: Omar Rayo." -- Source of annotation: Marvin or Ruth Sackner.
Poema Progresso: Perguntas e Respostas / Fernandes, Anchieta ; Cirne M ; Dias-Pino W ; Sa N ; Sa A., 1992
Poema Visual: O En Lase / Deisler, Guillermo., 1977
Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Poema Vociferado / Stubbing, N.H. (Tony)., 1950
P.O.E.M.A.S.: Colleccion de Sonetos 2nd Ed.. No.36 / Rafael Marin., 1997
Poemas Inventionists / Adrian, Marc ; Blackout, Moucle., 1958
First published as 20 signed copies in Paris in 1958. This edition was published in Hamburg as 50 signed copies in 1972. This copy is designated as unsigned withour a tirage being furnished. Adrian is a sculpture and Blackout a film maker. -- Source of annotation: Marvin or Ruth Sackner.
P.O.E.M.A.S.. No.22 especial / Eduardo Fraile Valles., 1997
Poemas Ou Histeoricos , 1974
P.O.E.M.A.S.: Poemas em A. No.33 especial / Fernando Aguiar ; Brossa J., 1997
This small booklet of letter poems is dedicated to Joan Brossa. They all contain the letter A in various sizes, typefaces, and fragmentations. -- Source of annotation: Marvin or Ruth Sackner.