Concrete poetry
Found in 6487 Collections and/or Records:
Reading from his Poem: The Gates of Paradise / David Daniels., 2001
The disc records Daniels reading his poems. -- Source of annotation: Marvin or Ruth Sackner.
Reading / Luckam, Lawrence., 1978
Because of the locations of the perforations, paging through this book gives different meanings as new words appear from old letters and new ones. -- Source of annotation: Marvin or Ruth Sackner.
Reading Writing Interfaces: from the digital to the bookbound / Emerson, Lori ; Houedard DS ; Lloyd A ; McLuhan M ; Higgins D ; Williams E ; DeCampos A ; DeCampos H ; Pignatari D ; Olson C ; Solt ME ; Garnier P ; Johnson R ; McCaffery S ; Zurbrugg N ; bissett b ; Duguay R ; Scobie S ; Dickenson E ; Sackner MA., 2014
Readings: 5 Programmes of Poems with Notes / Cobbing, Bob., 1974
Real i dad / Pino, Francisco., 1977
Pino repetitively prints the Spanish word, "como," its derivatives, and its letters (como, omo, mo, o) in grids and partial grids so that by the end of the book only a single period remains. -- Source of annotation: Marvin or Ruth Sackner.
Reason / Edwards, Claire., 2010
Rebellious, 1980
The first of C. Bellaert's "n-books" all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Rece$$ion / Thomas, Patrick., 2007
Recenti Zeroglifici / Spatola, Adriano ; Barelli R ; Oliva AB., 1985
Recognition / James, Elizabeth., 1999
[rectangles - handles] (270167) / Houedard, Dom Sylvester., 1967
The two red square and the two blue squares are made with@ symbols. -- Source of annotation: Marvin or Ruth Sackner.
Recursive Spirals / Harris, Ken., 2000
The book consists of short poems, one to a page, and a single concrete poem. -- Source of annotation: Marvin or Ruth Sackner.
Recursive text / Mayer, Peter., 1988
The letters of the words of this poem are formed by squares containing micrographic texts. The typography makes reading difficult. The first two word read, "Thank You." The last two words are illegible. -- Source of annotation: Marvin or Ruth Sackner.
Red Blue Yellow / Lax, Robert., 1990
Red Dor [Red Door] / Steen, Vagn., 1963
The Danish words "red" and "dor" are superimposed in large black typefaces and set upon the red background of this print. The image is also reproduced in Steen's book "riv selv," that is also held by the Sackner Archive. *WEB Steen 2002. According to Steen, this silkscreen was printed in 1963. He was uncertain as to whether it was done in 1963 or 1964. The poem is mirrored so that the viewer can also read it from the verso. Steen takes the Danish word for red (ROD), and mirrors the first letter, If the reader views it from behind, and gets the Danish word for door (DOR). -- Source of annotation: Marvin or Ruth Sackner.
Red Road, 1954
This collage from the early period of Denny's work relates to graphic design and with his interest in letter pictures. After the mid-sixties, the employment of text in images disappeared and his works became constructivistic. -- Source of annotation: Marvin or Ruth Sackner.
red shifts / O'Sullivan, Maggie., 2001
[Red, White & Black Overlying Frames & Text] / Spatola, Adriano., 1986
Red White Blue / Rowan, John., 1970
Each page contains an illustration with a single word title that is a contradiction to the illustration e.g., the letters in the word together are scattered around the page and the illustration for the word hand is a foot and vice-versa. -- Source of annotation: Marvin or Ruth Sackner.