Concrete poetry
Found in 6396 Collections and/or Records:
Satanovsky / Satanovsky, Igor., 2002
Saturn in Abseits / Jattkowski, Jurgen P. ; Sdun, Dieter., 1988
Stored in Sdun box. -- Source of annotation: Marvin or Ruth Sackner.
Scampoli in Busta / Lora-Totino, Arrigo., 1996
This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.
Scampoli in Busta / Lora-Totino, Arrigo., 1996
This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.
Scampoli in Busta / Lora-Totino, Arrigo., 1996
This portfolio consists of facsimile reproductions of concrete poetic and calligraphic works created by Lora-Totini from 1975 -1995. All of these works are initialled by him with the date of the original publication. -- Source of annotation: Marvin or Ruth Sackner.
Scarab Poems 2nd Edition / levy, d.a.., 1996
Poems were composed by d.a.levy in 1967 and most of the originals are held by the Sackner Archive. The covers differ between the 1st and 2nd editions. -- Source of annotation: Marvin or Ruth Sackner.
Scarab Poems 1967-1978, 1978
Poems were composed by d.a.levy in 1967 and most of the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Schede / Accame, Vincenzo., 1970
There are duplicates of card 2, 4, & 13. -- Source of annotation: Marvin or Ruth Sackner.
(Scheduled) Random Sightings, 2000
This book includes a reprint of "White Light," previously unpublished correspondence between levy and Richard Allen Morris, and levy and Robert Kelly. It also reprints editorials and book reviews by levy from his small magazines. The cover was designed by alan horvath. -- Source of annotation: Marvin or Ruth Sackner.
Schiff Broach / Finlay, Ian Hamilton; Cherry, Norman., 1973
This drawing of a calligraphic design by Cherry for the Schiff brooch used a perspex background as a reflecting surface. Perspex (plexiglas) was eliminated in the final design but the idea for reflection of Schiff in mirror writing was kept for the final design. The Archive for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Schiff / Finlay, Ian Hamilton; Costley, Ron., 1974
The word "Schiff," signifying ship, is printed in stylized calligraphy to resemble the shape of a ship and its reflection in the water. Indexbooks WEB 2011: "One of an edition of 350 signed numbered copies, printed by PKM studios, of a 2 x 12 inch lithographed triple foldout thin card strip with the word "Schiff" in a typeface so that the symmetrical upside down repeat, i.e., reflection, of itself makes for a reflection of itself (as if it were a ship). That's metonymy? Part for whole? Nah. More like metaphor, the word for the thing, i.e., substitution." -- Source of annotation: Marvin or Ruth Sackner.
Schiff / Finlay, Ian Hamilton; Costley, Ron., 1974
The word "Schiff," signifying ship, is printed in stylized calligraphy to resemble the shape of a ship and its reflection in the water. ndexbooks WEB 2011: "One of an edition of 350 signed numbered copies, printed by PKM studios, of a 2 x 12 inch lithographed triple foldout thin card strip with the word "Schiff" in a typeface so that the symmetrical upside down repeat, i.e., reflection, of itself makes for a reflection of itself (as if it were a ship). That's metonymy? Part for whole? Nah. More like metaphor, the word for the thing, i.e., substitution." -- Source of annotation: Marvin or Ruth Sackner.
Schlingen Legen Fallen: Gedichte & 3227en / Pehler, Antje., 2003
schoenberg [1] / Sharkey, John J.., 1963
The typed 10 lines of the name Schoenberg begin with lowercase letters and then adding one capital letter on each line until the final row is all capital letters. -- Source of annotation: Marvin or Ruth Sackner.
schoenberg [2] / Sharkey, John J.., 1963
The typed 10 lines of the name Schoenberg begin with lower case letters and then adding one capital letter on each line until the final row is all capital letters. -- Source of annotation: Marvin or Ruth Sackner.
Schreibmaschinenpoesie / Mautz, Kurt ; Gomringer E., 1977
Schreibweisen Konkrete Poesie und Konstruktive Prosa / Geerken, Harmut ; Aziz P ; Bayer K ; Bremer C ; Gomringer E ; Handke P ; Harig L ; Heissenbuttel H ; Jandl E ; Lettau R ; Mon F ; Ruhm G ; Schauffelen KB ; Scholl A ; Wolf R ; Wondratschek W., 1973
This book presents an anthology of concrete poetry by German speaking poets. -- Source of annotation: Marvin or Ruth Sackner.
schreibwerke & kopfstucke/"HLIO, deine freier warten schon" / Schmidt, Siegfried J.., 1987
The scroll "genau in anbetracht einer verschiebung" 1978-1980 and the sculpture "dialog der stein der wieson 1986" reproduced in this catalog are held in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Schrift-Bild / Ulrichs, Timm., 1964 - 1969
This print is depicted on pages 86-87 of Ulrichs exhibition catalogue, "Die Druckgrafik" 2003, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Schrift nach Europa / Kutter, Marcus ; Gerstner K., 1957
This novel was written from 1954 - 1956 by Kutter. The book design and illustrations were done by Karl Gerstner. The frontpiece of the book depicts its title as fragmented text with a concrete poetic appearance like Mon's concrete poems in the sixties. -- Source of annotation: Marvin or Ruth Sackner.