Concrete poetry
Found in 6397 Collections and/or Records:
Songs of the Earth, 1970
Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this disavowed edition and the regular edition that is also held by the Sackner Archive is the inclusion of one rather than three blank pages at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.
Songs of the Earth, 1970
Johnson writes in the introduction, "These poems are listenings, as poems must listen and sing simultaneously. They are a progression of hearings of Mahler's 'Song of the Earth' on records, in concert, and in my head."The only difference between this regular edition and the disavowed edition that is also held by the Sackner Archive is the inclusion of three pages rather than one blank page at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.
Sonic Water / Houedard, Dom Sylvester, editor; cummings ee; Morgan E; Gomringer E; Jandl E; Finlay IH., 1964
The distribution to others of this work is unknown. The original typed poem, "Sonic Water" is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Sonnet No.13 / De Araujo, Avelino., 1994
Taken from Archiveof O!!Zone 1996. -- Source of annotation: Marvin or Ruth Sackner.
Sonnets in Concrete: Volume One / Brilliantes, Jos C.., 1968
Brilliantes used typewriter characters to create distinctive shapes from the characters alone, viz. cats, dogs, lions, tigers, giraffes, bedbugs, girls with hula hoops, farmers, toothbrushes, scissors, pans etc. His images are quite unique in typewriter art and poetry and there are no other examples like his in the Sackner Archive. This book is stored in the same portfolio box as Bridgwater's "Typograms." -- Source of annotation: Marvin or Ruth Sackner.
Sonnets / Selenitsch, Alex., 1975
Sonntagsmalerei Mit Fallgruben / Schwarz, Martin ; Albrecht d ; Aue W ; Ulrichs T ; Futser U., 1984
Son/Rose, 1974
Sontai sidaie (The sun is setting) / Miroshnychenko, Mykola., 1985
The poem is dated 13.04.1985. -- Source of annotation: Marvin or Ruth Sackner.
Sophisticated Selection / Leiber, Steven., 2000
This catalogue designed by Rose Holtz reprints components and announcements of paintings, sculptures, drawing, photographs, music, nature, criticism, poetry and conceptual art for sale. -- Source of annotation: Marvin or Ruth Sackner.
Sorry / Decie, Joe., 1999
The message that is rubberstamped as separate word(s) on each page reads "Sorry i haven't mailed anything 1/2 to you for a while i've been too busy please accept this book in exchange for your art." -- Source of annotation: Marvin or Ruth Sackner.
Sorso (Torso) di Sera / Lora-Totino, Arrigo., 1983
SOS / Balestrini, Nanni., 1964
The collage composed of different typefaces and dimensions dealing with a political theme is typical of Balestrini's ouevre in the early sixties which has been much reproduced in concrete poetry anthologies of its early period. It is reproduced on page 162 of his 2006 exhibition catalogue, "Con gli occhi del linguaggio." -- Source of annotation: Marvin or Ruth Sackner.
Sotto Voce / Seager, Sara., 1992
soul [1] / bissett, bill., 1973
[Sound Poetry] / Cobbing, Bob., 1987
Sound Poetry / Kern, Bliem., 1976
This is a reprint of a poem that appeared in Poetry Australia No.58, 1976: American Revolution Bicentennial Issue. -- Source of annotation: Marvin or Ruth Sackner.
Sound Sense / Gibbs, Michael., 1968
Soundings, 2007
Soundings W/Blue / Burke, Herbert ; Adler J., 1976
The cover was designed by Jeremy Adler. -- Source of annotation: Marvin or Ruth Sackner.