Concrete poetry
Found in 6397 Collections and/or Records:
Sundance Kids of the Sickle Harvest Smile / Cheek, Cris., 1976
The smaller book is bound into the larger book. -- Source of annotation: Marvin or Ruth Sackner.
Sunday Work? A Marvellous Experience / bissett, bill., 1969
[Sundial] / Finlay, Ian Hamilton; Mills, Stuart., 1967
This photograph depicts a sundial sculpture, "The Four, Seas, -Ons In, Sail. A sail is placed in the center to deflect the sun and cast a shadow. -- Source of annotation: Marvin or Ruth Sackner.
Sunpoem / Finch, Peter., 1971
The poem describes the sun with seven adjectives that have the letter O. The words are arranged so that the O's are aligned. The place for the final O in the word hollow is empty, with the missing O placed in line on top of the list of words. -- Source of annotation: Marvin or Ruth Sackner.
super bliss (110167) / Houedard, Dom Sylvester., 1967
There is a Roman arch form typed in the middle of the page surrounded by several typed mantras. -- Source of annotation: Marvin or Ruth Sackner.
Super Rekord 50 + 50, 1980
Supersehtext, 1974
This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.
Sur La Musique: Lettrie a 8 solistes et I Choeur / Satie, Alain., 1982
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Surface / Fencott, P.C.., 1984
The word "surface" is densely overprinted in red and blue ink giving a leaf-like frottage appearance to the print. -- Source of annotation: Marvin or Ruth Sackner.
Suruba / Junges, Tadeu., 1980
In a portion of this book, Junges created homoerotic poems ware from black, lower case typefaces often cut or arranged in mirror images. -- Source of annotation: Marvin or Ruth Sackner.
Surveillance Sketch / Mancini, Donato., 2003
The text was produced from conversations overheard during a week in a surreal artificial tourist/commercial area on the edge of Vancouver's downtown area. As such, it is akin to Martin Wilner'a artist books that record text and images from passengers on the NY subway trains. -- Source of annotation: Marvin or Ruth Sackner.
Sussex Outlook: Special Issue: Brighton Festival. No.18/Apr / Conrad Martin, editor ; Ruehm G ; Houedard DS ; Finlay IH ; Lyle P ; Mayer HJ ; Morgan E., 1967
SVEP / Deisler, Guillermo, editor; Sarieff, Vaselin, editor; Slang, A.; Slang A; Corpa; Braumuller H; Olbrich JO; DeRosa S; Kowalski J; Figueiredo C; Lenoir P; Sarieff V; Maggi R; Crozier R; Fierens L; Baroni V; Chiarlone B; Prautzsch HU; Sachse K; Segay S; Aguiar F; Private World; Barbot G; Deisler G., 1990
The envelope is addressed to Luc Fierens. -- Source of annotation: Marvin or Ruth Sackner.
Swamp ER) R (IE Blues / Thomas, Don., 1969
Swans / Finlay, Ian Hamilton; Costley, Ron., 1974
The number "2" is written to form the silhouette of a swan. -- Source of annotation: Marvin or Ruth Sackner.
Swarms, 2010
The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.
Sweat & Saliva Series (Remade) / Wendy Wischer., 2006
Sweat & Saliva Series (Remade) / Wendy Wischer., 2006
Sweat & Saliva Series / Wendy Wischer., 2001
The circular, handwritten work in ink upon five commercial dishes consisted of recipes interspersed with romantic phrases thereby creating an erotic text. This piece was destroyed by Wischer and remade with light resistant paint and carries the title, Sweat & Saliva Series [remade]. -- Source of annotation: Marvin or Ruth Sackner.