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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6393 Collections and/or Records:

Arabics, 1989

 Item
Identifier: CC-05562-5669
Scope and Contents

The pages of this book consist of different arrangements and typefaces of the numbers 0-9, each page depicting a single number variation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Aram Saroyan, 1968

 Item
Identifier: CC-32448-34022
Scope and Contents

Each page reproduces a typewrtten, minimalist poem on the right sided page only. These include the well known poems, "eyeye" and "lighght" among others. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Aranha / Tavares, Salette., 1963

 Item
Identifier: CC-01687-1723
Scope and Contents

The poem is printed in the shape of a spider. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Aranhao / Tavares, Salette., 1968

 Item
Identifier: CC-01688-1724
Scope and Contents

The poem is printed in the shape of spiders. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Arbormundi / Zend, Robert., 1982

 Item
Identifier: CC-29945-31336
Scope and Contents Internet: Robert Zend (1929-1985) was a Poet, Philosopher, Multi-media artist. A published author in his homeland of Hungary by 1956, he fled to North America during the communist takeover. He used to say that his first five years living in Toronto were 'wretched', but that the next twenty he 'felt like a man without a home'. He had no immediate audience for his Hungarian books and he could not yet write fluently in English. He once wrote, "Budapest is my homeland, Toronto is my home. In Toronto I am nostalgic for Budapest. In Budapest I am nostalgic for Toronto. Everywhere else I am nostalgic for my nostalgia." Evenutally Zend did find his place in Toronto, publishing several books of poetry and humor, including From Zero to One (1973), Beyond Labels (1983) and Oab (published posthumously, 1986). He was often linked with Canada's literary elite, having friendships with and the admiration of the likes of Margaret Atwood and Northrop Frye. Glenn Gould called him "Canada's most...
Dates: 1982

Arbre de la Liberte / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12160-12384
Scope and Contents

ThIs poem is presented in the shape of a tree. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Archetype Press: 25.19 degrees A Mars Anthology. No.29/Spr / Gloria Kondrup, Heidrun Mumper-Drumm, editors., 2002

 Item
Identifier: CC-52817-73954
Scope and Contents

There is duplicate print by katherine klinker included in this box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Archetype Press: Cage on Cage: Typographic Notations on the Writings of John Cage. No.9/Fall / Vance Studley, editor ; Cage J., 1993

 Item
Identifier: CC-27067-27541
Scope and Contents

In the introduction, Studley writes, "...each designer chose a short passage from Cage's selected writings containing the composer's views on music. Each selection was then studied for possibilities of wordplay, subrosa meaning, graphic and musical n visual and aural texture, white spaces as examples of tacit in music, intonation and cacophony of sound. Solutions are based on the individual's 'reading' of the text but shaped as a typographer would arrange letters, words, spaces on a page..." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Archetype Press: don't judge a book by its cover: A Typographic Collection of American Proverbs. No.41/Spr / Gloria Kondrup, editor., 2007

 Item
Identifier: CC-48972-70010
Scope and Contents

The binding is by Alice Vaughn who left the vertical sides uncovered and used a partial slipcase to protect one vertical side. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Archetype Press: Exquisite Corpse, Los Angeles as Seen Through the Words of Raymond Chandler, Eric Stanley Gardner and Walter Mosely. No.28/Fall / Gloria Kondrup, Heidrun Mumper-Drumm, editors., 2001

 Item
Identifier: CC-52812-73949
Scope and Contents

This book deals with excerpts from mystery writers and is unrelated to the collaborative works made by the Surrealists with the same title. The perforations of several pages are intended to simulate bullet holes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001