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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6506 Collections and/or Records:

Tizzy Boost / Andrews, Bruce ; Goldsmith, Kenneth., 1993

 Item
Identifier: CC-26667-27137
Scope and Contents

Kenneth Goldsmith designed the cover and contributed eight drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Tlaloc. No.13 / Cavan McCarthy, editor ; levy da ; Baxter E ; Clark TA ; Carter A ; Chopin H ; Nichol bp ; Hausmann R ; Fisher R., 1965

 Item
Identifier: CC-48236-69260
Scope and Contents

bp Nichol designed the cover. "The Para-Concrete Manifesto" by the North American concretists (da levy) is on the back cover. This manifesto is also present on the verso of a letter from Cavan McCarthy to George Dowden which is also held by the Sackner Archive. Loc-Sheets No.17-24 that document the concrete poetry scene in 1966 is stapled to one copy of this issue. da levy contributed a typed. punctuation poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

To Be Me To Be You, 1971

 Item — Folder 20: [Barcode: 31858072459799]
Identifier: CC-19801-20188
Scope and Contents

This is a signed, unfolded, poster collaborative work by the artists that was published in Review OU No.38-39, 1971. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

To Catch a White Man By His Manifesto [incomplete set] / Houedard, Dom Sylvester, editor; Students of Bath Academy; Furnival J., 1967 - 1968

 Item
Identifier: CC-61066-10003840
Scope and Contents

Cover of original portfolio is incomplete because of water damage. Printed by John Furnival. To Catch a Whiteman by His Manifesto' is a portfolio containing experimental typography and concrete poetry made by Dom Sylvester Houedard and his students from Bath Academy of Art. The names of the ten students involved are; Stephen Lowndes, Sue Hudson, Liz Kelly, Jenny Osborne, Angus Davis, Erica Grice, Noelle Stewart, Alan Hext, Paul Ansell and Melody Craig. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967 - 1968

To Stop Pot / Taylor, Kent., 1966

 Item
Identifier: CC-27623-28701
Scope and Contents

This poem was never published. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Toast th Screenwriter, Not the Actor / Kerr, Thomas., 1989

 Item
Identifier: CC-07790-7943
Scope and Contents

Consists of shaped poem of Shakespeare's portrait, using his texts, to illustrate letter to the editor. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Tonto or: alaphbit. No.7 / bp Nichol., 1966

 Item
Identifier: CC-50827-71905
Scope and Contents

This pamphlet was included in Agentzia 2 but is stored in the "Tonto or" portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

T.O.P. / Ockerse, Tom; Steen V., 1970

 Item
Identifier: CC-38368-40270
Scope and Contents

Vagn Steen contributed an essay in the brochure explaining the symbols used by Ockerse in his prints. Steen considered Ockerse's work as poems, games and performances. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Tora (Weisung) - Halacha (Weg) / Daniel, Peter., 1994 - 1995

 Item
Identifier: CC-27725-28832
Scope and Contents

The Hebrew word "Torah" (Pentateuch Law) is changed in five steps to the Hebrew word "Halacha" (Traditional Law). The German word "Weisung" means instruction, and "Weg" means path. The Hebrew root for Halacha is the same as the word for walk, that is laws that apply as one walks the paths of life. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994 - 1995

Torque: maximum rotation ephemera series: a poesy rose. No.1.4-1.5/Jul- / Monica Burkhardt., 1995

 Item
Identifier: CC-37612-39469
Scope and Contents

This issue is a supplement to Torque 1.4-1.5 that is catalogued separately and housed in an envelope. Torque 1.4-1.5 was too large to fit into the envelope and has been folded once for storage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995