This book includes reproductions of "Book 14 T that consisted of abstract markings rendered on the mimeograph machine. The book reproduces 'The Para-Concrete Manifesto (1996)' is from the original mimeograph printing. Some of the pages inside 'untitled (1964)' also reproduced in the book were based upon images used for levy's '6 cleveland prints' (renegade press, 1964). There were 5 copies published; probably each one different from the other. Here, copy #2. is reprinted. The pages are colored abstract markings with some containing letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

The page upon which the poem has been typed has waterstains. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the printed edition of this book. -- Source of annotation: Marvin or Ruth Sackner.

Each print depicts the original poem in the Ukrainian language along with a English translation stapled to it. -- Source of annotation: Marvin or Ruth Sackner.

After an introductory essay, the book consists of concrete and visual poems of very varied styles printed one to a page. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. Participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned underthe direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of contemporary concrete poetry mainly from German speaking poets. -- Source of annotation: Marvin or Ruth Sackner.

This 20 minute dvd with music by Part and Xenakis accompanying it, depicts Fallini's bible using his calligraphic font done on a computer installed in the church in Allesandria, Italy. Visual poems of a non-religious nature are also depicted. -- Source of annotation: Marvin or Ruth Sackner.

This 20 minute dvd with music by Part and Xenakis accompanying it, depicts Fallini's bible using his calligraphic font done on a computer installed in the church in Allesandria, Italy. Visual poems of a non-religious nature are also depicted. -- Source of annotation: Marvin or Ruth Sackner.

This translation, authorized by Gallimard (publishers) and Mallarme's heirs as the first in English, was first published in Folder No.4, 1956, Tiber Press. This periodical is also held by the Sackner Archive. According to Aldan, each page of the poem forms an ideogram -- an image of whiteness of sky and ocean, storm waves,crests and troughs, male and female, wing and bird, sail and boat, etc. The four themes, UN COUP DE DES, JAMAIS, N'ABOLIRA, AND LE HASARD are equivalent to four movements of a symphony. They symbolize many phases of life and time, e.g., four divisions of a day, four seasons, four stages of total time, etc. and are an important part of the pattern that unifies the poem. -- Source of annotation: Marvin or Ruth Sackner.

This German translation of Un Coup De Des is illustrated with geometrical drawings by Erber which are intended to reflect the mathematical, precise construction of the poem. The colophon states that there are 300 numbered, signed copies but this copy must be out of series since it is unnumbered and unsigned. -- Source of annotation: Marvin or Ruth Sackner.

This work, based upon Stephan Mallarme's celebrated poem, is exhibited on a collaged, female mannequin, "Lady Midnight" by Astrid and John Furnival. The buttons on the sweater are actual dice. -- Source of annotation: Marvin or Ruth Sackner.

Phrases, words and paragraphs from periodicals and books were cut and pasted to form a poem. -- Source of annotation: Marvin or Ruth Sackner.

Johanna Drucker in "The Visible Word" (1994) cites an article by Bernard, Le Coup de des de Mallarme...," Revue d'historie de la France, 1951;2:184-186 in which Bernard suggests that Mallarme was intrigued by the possibilities of advertising typography with reference to his poem "Un Coup de Des." Some poems resemble the early letter pictures of Dieter Roth and Pierre Garnier and are highly advanced for the publication year of this book in 1962. -- Source of annotation: Marvin or Ruth Sackner.

Each folded page of the unfolded, cut, card contains a letter or letters from the title "nonnulla." This booklet is also designated situazioni plasticoverbali No.2. Gift of Luciana Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.