This poem was printed in Garnier's Prototypes (1965) and also reproduced in black and white in Garier's "Oeuvres poetiques 1 (1950-1968), page 215. -- Source of annotation: Marvin or Ruth Sackner.

This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.

Larry Wallrich, to whom this book was inscribed, was a British/Canadian bookdealer from whom the Sackners purchased a substantial amount of concrete/visual poetic works in 1979-1980. This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.

Introduction and editing by Smaro Kamboureli and Robert Kroetsch. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of variations on small o's forming the letter 'H.' This book was originally published in 26 lettered copies for the "On the H orizon" celebration in memory of bp Nichol held at Emily Carr College, Vancouver, September 1998. -- Source of annotation: Marvin or Ruth Sackner.

These poems from Austrian and German poets are generally stylistically concrete. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistake discussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

The background print in blue ink appears to have been made with a frottage technique. Large letraset letters spell Vistacon at the upper border and Concrete at the lower border. -- Source of annotation: Marvin or Ruth Sackner.

The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Padin analyzes concrete poems composed by Gomringer and Jandl using Boolean algebra. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of concrete poems, one to each page. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of concrete poems, one to each page. The signed, limited edition book has a cover printed on red paper stock whereas the trade edition is printed on white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Padin writes an introduction concerning visual, concrete and alternative experimental poetry for the concrete poems that follow. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Eter Panji runs the Visual World Poetry press. -- Source of annotation: Marvin or Ruth Sackner.