Concrete poetry
Found in 6515 Collections and/or Records:
Vibration Concrete Poem (D) / Malina, Jaroslav., 1970
Vidavidavi / De Campos, Augusto., 1967
The translation of the poem from the Portuguese: vida - life / da - of / ve - i saw /vivi - i lived / vivida - lived.alive. -- Source of annotation: Marvin or Ruth Sackner.
Video-Poesia / De Campos, Augusto; De Campos, Haroldo; Antunes A., 1992
Videogram of Unity / Gibbs, Michael., 1971
The Sackner Archive also holds the original drawing of this print. -- Source of annotation: Marvin or Ruth Sackner.
Videogram of Unity / Gibbs, Michael., 1972
The top four letter blocks read the top half of BODY and the bottom half of MIND . The middle four letter blocks are BODY and MIND over each other. the botton four letter blocks read half of MIND on the top and BODY on the bottom. -- Source of annotation: Marvin or Ruth Sackner.
Vierzehneiligen of Balthasar Newmann, 1972
Vietato Zona Infestata 2 / Claire, Paula., 1977
Vietato Zona Infestata / Claire, Paula., 1977
Vieux Voeux / Blaine, Julien., 2001
The poems consist of word play on "arriver and aller," meaning to come and to go. -- Source of annotation: Marvin or Ruth Sackner.
Vigie des Minuits Polaires, La. No.7/Nov / Hirschman J., 1980
Viola / spence, pete., 2000
violette / Garnier, Pierre., 1970
This poem was printed in Garnier's Prototypes (1965) and also reproduced in black and white in Garier's "Oeuvres poetiques 1 (1950-1968), page 215. -- Source of annotation: Marvin or Ruth Sackner.
Visao Vision E. M. de Melo e Castro 1961-1972, 1975
This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.
Visao Vision E. M. de Melo e Castro 1961-1972 / De Melo e Castro, E.M. ; Xisto P., 1972
Larry Wallrich, to whom this book was inscribed, was a British/Canadian bookdealer from whom the Sackners purchased a substantial amount of concrete/visual poetic works in 1979-1980. This book presents a sampling of the different approaches to concrete poetry and visual art employed by De Melo e Castro. There are several rubberstamped poems reproduced in this book including one in color. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: After the Grave: Language and Materiality in Contemporary Art. No.1 / David Scott Armstrong, Patrick Mahon, editors ; Drucker J ; Ligon G ; Twombly C ; Bing X ; Brakhage S., 2008
Visible Visions: The Selected Poems of Douglas Barbour / Barbour, Douglas ; Nichol bp ; Kroetsch R., 1984
Introduction and editing by Smaro Kamboureli and Robert Kroetsch. -- Source of annotation: Marvin or Ruth Sackner.
Visitation 2nd Edition, 2007
The pages consist of variations on small o's forming the letter 'H.' This book was originally published in 26 lettered copies for the "On the H orizon" celebration in memory of bp Nichol held at Emily Carr College, Vancouver, September 1998. -- Source of annotation: Marvin or Ruth Sackner.
Vispo Auf Deutsch: An Anthology of Verbo-Visual Art in German / Hill, Crag, editor ; Grumman, Bob, editor ; Jaschke G ; Schwarz C ; Scherr D ; Adrian M ; Warnke U ; Weber FJ ; Rautenberg A ; Holzbauer S ; Franzobel ; Widhalm F ; Zauner H ; Kilic I ; Huber C ; Herbst W ; Holzinger W ; Daniel P ; Kock P ; Laiber M ; Stummer H ; Sackner MA., 1995
These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.
Vispo Auf Deutsch: An Anthology of Verbo-Visual Art in German / Hill, Crag, editor ; Grumman, Bob, editor ; Jaschke G ; Schwarz C ; Scherr D ; Adrian M ; Warnke U ; Weber FJ ; Rautenberg A ; Holzbauer S ; Franzobel ; Widhalm F ; Zauner H ; Kilic I ; Huber C ; Herbst W ; Holzinger W ; Daniel P ; Kock P ; Laiber M ; Stummer H ; Sackner MA., 1995
These poems from Austrian and German poets are generally stylistically concrete. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistake discussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.