Concrete poetry
Found in 6515 Collections and/or Records:
Visual Poetry Collaboration, 2007
Visual Poetry in Ukrainian Literature in the End of the 17-18th Centuries / Soroka, Mykola ; Miroshnychenko M ; Luhovyk M ; Melnyk V ; Simmias of Rhodes ; Theocritus ; Maurus H ; Higgins D., 1997
The text is Ukrainian with a brief synopsis in English. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry / Morris, Stephen., 1972
Visual Poetry: Nobody loves me / Izumi, Noboru., 1990
For the most part, the texts are printed on one side of glossy paper. Six pages deal with the history of visual/concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Poster Series: lelhet hogy tudnalak szeretni. No.10 / Maria Hegedus., 2009
Visual Poetry Poster Series: mmmm. No.17 / Jorg Piringer., 2009
Visual Poetry Poster Series: Sins. No.15 / Samit Roy., 2009
Visual Poetry Poster Series: Visual Poetry. No.13 / Maria C. Secco., 2009
Visual Poetry: Theme/Light (Japanese) / Lora-Totino, Arrigo ; Garnier, Pierre ; Cobbing, Bob ; Tanabu, Hiroshi ; Keith, William., 1994
Visual Rubber Stamp Poems / Helmes, Scott., 1993
The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.
Visual Rubber Stamp Poems / Helmes, Scott., 1993
The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.
Visual Rubber Stamp Poems / Helmes, Scott., 1993
The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.
Visual Topology / Toth, Gabor., 1974
Visual Voices; A Blinded by Reader's Emotion Poem; pages 128--129 / Weiss, Irving., 1994
This poem is based upon Thomas Campion (1527-1620), "When thou must home." However intended, even if only as rhetorical ingenuity, this one-sentence condemnation is sharp enough to produce the effect on the reader which the blurred printing stands for. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Analytically Raped Stanza Poem pages 22-23 / Weiss, Irving., 1994
This poem is based upon Swinburne, from "Ave Atque Vale" 1837 - 1909. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Archaic Blockverse Poem; pages 80-81 / Weiss, Irving., 1994
This poem is based upon John Fletcher (1579-1625), "Weep No More." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Black Magic Poem; pages 66-67 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, from "The Sad Shepard" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Caressed and Overloved Poem pages 10-11 / Weiss, Irving., 1994
This poem is based upon Thomas Campion (1567-1620) "Rose -cheek'd Laura." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Clock-Title Poem; pages 78-79 / Weiss, Irving., 1994
This poem is based upon Coleridge, "Phantom" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Couplets Snapping By in the Poetic Welkin pages 28-29 / Weiss, Irving., 1994
This poem is based upon Dryden (1631-1700) -- Source of annotation: Marvin or Ruth Sackner.