Concrete poetry
Found in 6515 Collections and/or Records:
Visual Voices; Elizabeth Barrett Browning Corpus Stylistic Analysis Program Reinventing "How Do I Love Thee"; pages 50-51 / Weiss, Irving., 1994
This poem is based uponElizabeth Barrett Browning (1806-1861), Sonnets From the Portuguese, 43. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fifteenth-Century Poem Stands Boldly out against the Dimness of Its Long Neglect; pages 40-41 / Weiss, Irving., 1994
.This poem is based upon John Skelton (1406?-1529), "Prayer to the Father of Heaven." The poem consists of normal typed letters and just above it a retyping with faint letters, presumably from a deliberate use of a faded typewriter ribbon. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Foundering poem: Of the Going Down into Davy Jones Locker Were Already Lies... pages 92--93 / Weiss, Irving., 1994
This poem is based upon John Bunyan, "Of the Going Down of the Sun" Shakespeare, "Full Fantom Five" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Fourth Wall Poem; pages 70-71 / Weiss, Irving., 1994
This poem is based upon"For the nightmare." 2093 Bodleian 15353 Early 15th Century. Reprinted in Luria and Hoffman, Middle English Lyrics, as No.116, with glossary. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Graffiti Poem pages 18-19 / Weiss, Irving., 1994
This poem is based upon "Sources for the images on pages 20-22." Published in Rampike (1985). -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Graffiti Poem pages 20-21 / Weiss, Irving., 1994
This poem is based upon "Sources on pages 18-19." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Horror Poem; pages 52-53 / Weiss, Irving., 1994
This poem is based upon Robert Browning (1812-1889), "Pippas's Song." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Leaf-Overleaf Poem: Having Floated Loose From Its Moorings Down to Side Margin and Turned Edge; pages 72-73 / Weiss, Irving., 1994
This poem is based upon Marvell "An Epitaph Upon" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Major Poem with Minor Poem Huddling to Heel; pages 38-39 / Weiss, Irving., 1994
This poem is based upon William Wordsworth (1770-1850), "Mutability." William Strode (1602-1645), "On Chloris Walking in the Snow." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Manuscript of Book Version / Weiss, Irving; Herbert G; Herrick R; Marvell A; Mallarme S; Blake W., 1994
Visual Voices; Megaphone Index Poem pages 30-31 / Weiss, Irving., 1994
This poem is based upon Poetry anthology index excerpts "announcing" their id entification of the book's contents. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Onomatopoeic Poem; pages 142-143 / Weiss, Irving., 1994
This poem is based upon Anonymous, "Western wind." The meeting of visual and voice. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Original Coursing through Translation: Aerial View; pages 88--89 / Weiss, Irving., 1994
This poem is based upon Byron, translation of Dante, Inferno V, 11. 93-142. Published in Atticus Review 4, Winter 1983. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Poem As Mental Convergence toward Its Two Finest Lines; pages 62-63 / Weiss, Irving., 1994
This poem is based upon William Alabaster (1567-1640), "Upon the Crucifix." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Eyeless, Toothless, Headless; pages 118--119 / Weiss, Irving; Blake W., 1994
This poem is based upon Blake, " Mock on, mock on, Voltaire, Rousseau" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Floating through One's Dream, Blurred in Three Places pages 14-15 / Weiss, Irving., 1994
This poem is based upon John Donne's (1573-1631), "Death Be Not Proud." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in Extremis: Trying to Escape Itself; pages 42-43 / Weiss, Irving., 1994
This poem is based upon Abraham Cowley (1618-1667), "Sport." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem in the Making and Unmaking pages 6-7 / Weiss, Irving., 1994
This poem is based upon Geirge Herbert's (1593-1633) poem, "The Quiddity." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem of the Reader's Laser-Beam Mind Fusing an Epic into Its Initial and Concluding Lines; pages 86--87 / Weiss, Irving., 1994
This poem is based upon Michael Drayton (1563-1631). The first two and the last two lines of Poly-Olbion, Or a Chorographical Description of Tracts, Rivers, Mountains, Forest and other Parts of this Renowned Isle of Great Britain, with Intermixtureof the Most Remarkable Stories, Antiquities, Wonders, Rarities, Pleasures, and Commodities of the Same. " -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Refusing To Be Paged; pages 46-47 / Weiss, Irving., 1994
This poem is based upon the First Set of Madrigals of Orlando Gibbons (1583-1625). -- Source of annotation: Marvin or Ruth Sackner.