Includes photographs of Alison Knowles' "Big Book." -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces several examples of concrete and visual poetry and reprints several critical essays. -- Source of annotation: Marvin or Ruth Sackner.

Each of the contributors is represented by characteristic works on several pages defining concrete and visual poetry modes in Germany and Austria. Concise biographies and bibliographies are provided for each of the poets. Critical texts were written by Eugen Gomringer, Heinz Gappmayr, Siegfried J. Schmidt, Klaus Peter Dencker and Christina Weiss. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the prints by Ann Noel, You and Negative, both held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

It is noteworthy that there is no correspondence between the artist/poets listed as contributors because most rendered textural examples of visual poetry whereas the individual works on the unbound page depictedl images in black & white photographs. -- Source of annotation: Marvin or Ruth Sackner.

Although this international exhibition was designated as visual poetry, all the examples depicted in the catalogue are concrete poems. Frederick Heckmanns and Peter Weiermair provided introductory essays to the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the deluxe edition. -- Source of annotation: Marvin or Ruth Sackner.

In this deluxe edition of the catalogue, one of the books deals exclusively with Fax Art, another with visual poetry, and the folder with original works. The Sackner Archive also holds the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a unique collection of small editioned (3-12) prints and photographs and a unique drawing inspired by Rock & Roll music that were printed from 1980-1992. The musicians included John Cale, Johnny Rotten and the Sex Pistols, Fleetwood Mac, Jim Morrison, Alice Cooper, Jerry Hall and the Rolling Stones among others. -- Source of annotation: Marvin or Ruth Sackner.

Abstract graphic illustrations were made by Gastone Novelli. Each page has been cut to a different width and multiple typefaces are used in the text. -- Source of annotation: Marvin or Ruth Sackner.

This is the original of the typing which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.

The title represents an acrostic of alchemy: Visita Interiora Terrae Rectificandoque Invenies Occultum Lapidem Veram Medicinam according to Persiani. -- Source of annotation: Marvin or Ruth Sackner.

Introduction to De Campos' performance at the Center for the Fine Arts, Miami, March 20, 1994. -- Source of annotation: Marvin or Ruth Sackner.

In this book, the single poem on each page consists mainly of letter picture constructions. -- Source of annotation: Marvin or Ruth Sackner.

In this book, there is one poem to each page that consists mainly of letter picture constructions. -- Source of annotation: Marvin or Ruth Sackner.

This is the original typing for the print and a page (also held by the Sackner Archive) that appeared in Chopin's book, "Le Dernier Roman du Monde." A vol-au-vent is the French name for a baked puff pastry batter. In Flanders the pastry is filled with a chicken, meatball and mushroom sauce. -- Source of annotation: Marvin or Ruth Sackner.

This was a page from Chopin's book, "Le Dernier Roman du Monde." A vol-au-vent is the French name for a baked puff pastry batter. In Flanders the pastry is filled with a chicken, meatball and mushroom sauce. -- Source of annotation: Marvin or Ruth Sackner.