A concrete poem is printed on the wax paper page. -- Source of annotation: Marvin or Ruth Sackner.

This is a unique print of fluorescent pink ink on Arches cream paper. The rest of the edition consisted of 4 prints on Stonehenge warm white paper, 3 on Stonehenge grey and 3 on Stonehenge cream. The print was commissioned by the Sackners after having read Mancini's book "AEthel." -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy is stored in the Geof Huth box. -- Source of annotation: Marvin or Ruth Sackner.

Cotter reviews "The Next Word" at the Neuberger Museum of Art to which the Sackner Archive lent 25 books and pictures. Several of the works from the Archive are specifically described in the article including a manuscript by Jack Hirschman, a drawing by Anne Wolf, Emily McVarish's pasted-up words locked inside a metal frame, Paula Scher's "Opinionated Map: Central and South America" in which every inch on the Southern Hemisphere that is jammed with critical annotationt. "Elsewhere, the printed text, often taking a cue from advertising, comes to the fore. Blair Seagram's 'U Temp est Us' uses a sleek sans-serif type, offbeat spacing and shifting character sizes to hide phrases within other phrases." -- Source of annotation: Marvin or Ruth Sackner.

Ms. Smith reviews the exhibition at the Metropolitan Museum titled "Wordrobe," which "delves into the different ways that language has infiltrated clothing, or what the show's curator, Richard Martin, calls the reconciliation of textile and text." The article depicts two examples, viz., Pauline Trigere's "Trigiere Coat" from 1973 and a 1990 wool jersey dress by Christian Francis Roth. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Folder 6. This copy has Cobbing's handwriting across the prints whereas aother copy held by the Sackner Archive does not. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Folder 6. Two of the prints are stored in a binder containing typewriter poems. This copy does not have Cobbing's handwriting across the prints. Another copy held by the Sackner Archive does. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum pamphlet number two. "Whississippi" written in London and recorded in Stockholm, is the fourth part in a series of whisper pieces consisting of a vocal interpretation of typewriter-picture poems based of the letters in the words "whisper piece." It was read by two voices (Kersten M. Lundberg & Bob Cobbing) and then manipulated in the recording studio. The maquette for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The etching or woodcut black and white image on the card cover by Hincks appears to be a scene taken from Finlay's Little Sparta garden. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Wohnzimmersonderheft 17 1/2. Each page depicts a reproduction of a photocopied collage. -- Source of annotation: Marvin or Ruth Sackner.

Theme of each poem relates to "snow." -- Source of annotation: Marvin or Ruth Sackner.

The collage with three folded white handkerchiefs labeled "oral, topical, and spinal" refers to types of anesthesia and its relation to the poems in the rest of this work is not immediately apparent. The drawings consist of minimalist poetry with themes relating to food and common domestic events along with illustrations of fragments of a room. The prints depict concrete poems mainly with food related content. The seven silkscreen prints were published in an edition of 50. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Debra Bricker Balken. -- Source of annotation: Marvin or Ruth Sackner.

The text zig-zags downward. The Geman word at the end of this poem, 'schlupft' meansslip or stumble in Englsih. -- Source of annotation: Marvin or Ruth Sackner.