The drawing, written in green and yellow inks, depicts five thick vertical bars, filled with Japanese ideograms, shaped like bamboo shoot . It is labeled "Bamboo by Japanese Alphabet." -- Source of annotation: Marvin or Ruth Sackner.

At the top of the card, the words, Columbia Center split the word, BANK. This copy of the card is printed on blue papercard while another copy is printed on yellow papercard. Columbia Center (formerly Bank of America Tower and Columbia Seafirst Center) is the tallest skyscraper in the downtown Seattle skyline, as well as the tallest building in the State of Washington, and the Pacific Northwest region of North America. -- Source of annotation: Marvin or Ruth Sackner.

This copy of the card is printed on yellow papercard while another copy is printed on blue papercard.Columbia Center (formerly Bank of America Tower and Columbia Seafirst Center) is the tallest skyscraper in the downtown Seattle skyline, as well as the tallest building in the State of Washington, and the Pacific Northwest region of North America. -- Source of annotation: Marvin or Ruth Sackner.

Finlay comments on the verso of this card that the text moves from the plain (or Doric) tree-bark to the Baoque via the elaborate barque or three-masted sailing ship. -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed varied colored words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains four collaged printed papers of reproductions of works by Trinkewitz. One has a hand written text "How to Made Advertising." The second paper is hand lettered "Layout Trinkewitz." The third states "Trinkewitz 63." Also collaged on the verso bottom is a magazine cover onto which Trinkewitz has written "My daughter Barbara." -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed varied colored words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains four collaged printed papers of reproductions of works by Trinkewitz. One has a hand written text "How to Made Advertising." The second paper is hand lettered "Layout Trinkewitz." The third states "Trinkewitz 63." Also collaged on the verso bottom is a magazine cover onto which Trinkewitz has written "My daughter Barbara." -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed black, white, and yellow words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains two labels from a gallery exhibition is Bratislava on 1969. Also, the following handwritten by Trinkewitz: Exposition 1966 Prague (with Jiri Kolar) Galerie Spalova and Exposition Prague Galeria Na Karlove Namesti. Also, a magazine cover onto which Trinkewitz has written "My daughter Barbara." is collaged on the verso. A photographic reproduction appears in Trinkewitz's exhibition catalogue, Zivot Je Kolaz / Das Leben ist eine Collage, 1999. -- Source of annotation: Marvin or Ruth Sackner.

The components of this work consist of horizonally placed black, white, and yellow words and fragments of words printed in capital letters of varied font sizes. The collaged tube extends from the collaged wooden base by means of a collaged nail and heavy plastic filament. The verso contains two labels from a gallery exhibition is Bratislava on 1969. Also, the following handwritten by Trinkewitz: Exposition 1966 Prague (with Jiri Kolar) Galerie Spalova and Exposition Prague Galeria Na Karlove Namesti. Also, a magazine cover onto which Trinkewitz has written "My daughter Barbara." is collaged on the verso. A photographic reproduction appears in Trinkewitz's exhibition catalogue, Zivot Je Kolaz / Das Leben ist eine Collage, 1999. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting in colored rubberstamped letters of a Houedard version of Basho's frog pond plop. The verso contains a quotation from DMF (?), "One day I will have to acknowledge that the only story is the world, and action the only language in which to tell it." -- Source of annotation: Marvin or Ruth Sackner.

Cover was drawn by Stephen Cain after a character/style/etc. of bpNichol. The Sackner copy is one of two covers drawn for this pamphlet. -- Source of annotation: Marvin or Ruth Sackner.

All the words in this poem begin with the letter "b." -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue of works being sold by an Italian collector, Mauro Corinaldi in Milan, whom the Sackners know. -- Source of annotation: Marvin or Ruth Sackner.

This is the first draft of the poem that eventually became a larger conventional poem that was published in "The Tin Can and Other Poems" (1966), a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Steen separated the components of the letter "B" so that it equals the number thirteen or one and three. -- Source of annotation: Marvin or Ruth Sackner.

The photograph shows several sculptured letter O's balanced on M's. The title, bean structure, references the Hindu word "om" intoned during meditation. -- Source of annotation: Marvin or Ruth Sackner.