Concrete poetry

Card to Ruth & Marvin [Sackner] (10 MAR.97) / Exhibition Announcement - Stommeln Synagogue, 1997

Item — Box 316: [Barcode: 31858072490810]

Identifier: CC-59068-10002209

Scope and Contents

In this note, Andre sends an introduction for L. Brandon Krall to visit the archive and thanks them for another tour of their collection.` -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / CORRESPONDENCE

Card to Ruth & Marvin Sackner: Poetry Trypoe [Passport] (31Jan87), 1987

Item — Box 316: [Barcode: 31858072490810]

Identifier: CC-25620-26078

Scope and Contents

The verso depicts a reproduction of a Camel cigarette pack. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / CORRESPONDENCE

[Card to Wally Depew] / Lippard, Lucy R.; LeWitt S., 1970

Item

Identifier: CC-53230-74382

Scope and Contents

The recto depicts Untitled Drawing by Eva Hesse, the verso a handwritten message from Lucy Lippard, the art critic. Lippard discusses a piece by Sol LeWitt that provided to Wally DePew for publication called "Imitation = Homage to Sol LeWitt" but apparently was not published. She states that she doesn't want it to be included into the "Concrete Poetry section of this publication. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Carl Andre, 1975

Item — Box 316: [Barcode: 31858072490810]

Identifier: CC-24628-25081

Scope and Contents

This a reprint of the catalogue first published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Carl Andre, 1970

Item — Box 316: [Barcode: 31858072490810]

Identifier: CC-27158-27633

Scope and Contents

The typed carbon of "Conquest Display" illustrated on page 58 was held by the Sackner Archive and subsequently sold. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Carl Andre. Rare Publications & Documents. March 2009 / Art Base ; Weiner L ; Darboven H ; Andre C., 2009

Item

Identifier: CC-49316-70358

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

CARMI ED 912 Posters (July): Parole in Liberta, 1968

Item — Folder 27: [Barcode: 31858072459864]

Identifier: CC-14168-14473

Scope and Contents

Calendar page for the month of July. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / ED 912

Carnets de Bords Festival des ecritures 1999 / Biga D ; Depanne Machine ; deCharmoy C ; Donguy J ; Hubaut J ; Lapeyrere J., 2000

Item

Identifier: CC-34972-36688

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Carnets de Bords Festival des ecritures No.2 / Blaine J ; Bory JF ; Heidsieck B ; Hubaut J ; Johnson T ; Prigent C ; Muller Lu., 1997

Item

Identifier: CC-34971-36687

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Carnival: The First Panel 1967-1970, 1973

Item

Identifier: CC-38158-40052

Scope and Contents The card is an instruction sheet for assembling the panel from pages in the book; the loose sheet is an errata sheet.In the introduction to Carnival Panel Two, McCaffery comments on Panel One. "Carnival is planned as a multi-panel language environment, constructed largely on the typewriter and designed ultimately to put the reader, as perceptual participant, within the center of his language.The roots of Carnival go beyond concretism (specifically that particular branch of concrete poetry termed the `typestract' or abstract typewriter art) to labyrinth and mandala, and all related archetypal forms that emphasize the use of the visual qualities in language to defend a sacred centre. Pond's vorticism also forms part of the grid of influences, and on one level at least, Carnival can be seen as an attempt to abstract, concretize and expand Pound's concept of the image as the circular pull of an intellectual and emotional energy. Above all it is a structure of strategic...

Dates: 1973

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Carnival: The First Panel 1967-1970 / McCaffery, Steve., 1973

Item

Identifier: CC-38154-40048

Scope and Contents The card is an instruction sheet for assembling the panel from pages in the book; the loose sheet is an errata sheet.In the introduction to Carnival Panel Two, McCaffery comments on Panel One. "Carnival is planned as a multi-panel language environment, constructed largely on the typewriter and designed ultimately to put the reader, as perceptual participant, within the center of his language.The roots of Carnival go beyond concretism (specifically that particular branch of concrete poetry termed the `typestract' or abstract typewriter art) to labyrinth and mandala, and all related archetypal forms that emphasize the use of the visual qualities in language to defend a sacred centre. Pond's vorticism also forms part of the grid of influences, and on one level at least, Carnival can be seen as an attempt to abstract, concretize and expand Pound's concept of the image as the circular pull of an intellectual and emotional energy. Above all it is a structure of strategic...

Dates: 1973

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Carnival: The Second Panel 1970-1975 / McCaffery, Steve., 2009

Item

Identifier: CC-50444-71512

Scope and Contents

Paul Collins and Simon Moor were responsible for the design of this poster, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Carnival: The Second Panel 1970-1975 / McCaffery, Steve ; Pound E., 1975

Item

Identifier: CC-38155-40049

Scope and Contents In the introduction to this book, McCaffery comments as follows. "Panel Two is largely an expression of language emerging into conflict and internecine statement conveyed in the variety of mechanical means of expression that's employed. It was predicated on a felt implication in Saussure's assertion that language is differential and oppositive at its base. Having discovered, explored and tested the parameters of the typewriter in Panel One, Panel Two places the typed mode in agonistic relation with other forms of scription: xerography, xerography within xerography (i.e. metaxerography and disintegrative seriality), electrostasis, rubber-stamp, tissue texts, hand-lettering and stencil. The compositional problem was in finding a form large enough to accommodate these conflicts and what arose as a solution was the interlocking single page to form a sixteen unit panel with the offset book format (to be abandoned in the process of assembling the panel) constituting the final stage in...

Dates: 1975

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Carnival: The Third Panel 2010 / McCaffery, Steve., 2010

Item

Identifier: CC-53705-642796

Scope and Contents

This print was made by overprinting Panels I & II of the original Carnival texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Carpenter Center for the Visual Arts: An Exhibition of Work. , 1977

Item — Folder 74: [Barcode: 31858072538097]

Identifier: CC-19328-19711

Dates: 1977

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Carpenter Center for the Visual Arts: Lecture: Size and Shape in Biology. / Stephan J. Gould., 1972

Item

Identifier: CC-19312-19695

Scope and Contents

Designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Carte d'Arte. No.7/Dec / Bentivoglio M., 1990

Item

Identifier: CC-17708-18077

Scope and Contents

Mirella Bentivoglio contributed a review of "Il Segno del Libro," an exhibition held at the Cagliari Fair featuring bookarts from 1896-1990. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)